Rewired: The Post-Cyberpunk Anthology - Softcover

 
9781892391537: Rewired: The Post-Cyberpunk Anthology

Inhaltsangabe

<div>Cyberpunk is dead. The revolution has been co-opted by half-assed heroes, overclocked CGI, and tricked-out shades. Once radical, cyberpunk is now nothing more than a brand.<br><br>Time to stop flipping the channel.<br><br>These sixteen extreme stories reveal a government ninja routed by a bicycle repairman, the inventor of digitized paper hijacked by his college crush, a dead boy trapped in a warped storybook paradise, and the queen of England attacked with the deadliest of forbidden technology: a working modem. You&#8217;ll meet Manfred Macx, renegade meme-broker, Red Sonja, virtual reality sex-goddess, and Felix, humble sys-admin and post-apocalyptic hero.<br><br>Editors James Patrick Kelly and John Kessel (<i>Feeling Very Strange: The Slipstream Anthology</i>) have united cyberpunk visionaries William Gibson, Bruce Sterling, and Pat Cadigan with the new post-cyberpunk vanguard, including Cory Doctorow, Charles Stross, and Jonathan Lethem. Including a canon-establishing introduction and excerpts from a hotly contested online debate, <i>Rewired</i> is the first anthology to define and capture the crackling excitement of the post-cyberpunks.<br><br>From the grittiness of <i>Mirrorshades</i> to the Singularity and beyond, it&#8217;s time to revive the revolution.</div>

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Über die Autorinnen und Autoren

<div>James Patrick Kelly is the Hugo, Nebula, and Italia award&#150;winning author of <i>Burn</i>, <i>Think Like a Dinosaur</i>, and <i>Wildlife</i>. He is a member of the faculty of the Stonecoast Creative Writing MFA Program at the University of Southern Maine. He has co-edited a series of anthologies with John Kessel, described by the <i>Encyclopedia of Science Fiction</i> as &#147;each surveying with balance and care a potentially disputed territory within the field.&#8221; Kelly is the technology columnist for Asimov&#8217;s Science Fiction magazine and the publisher of the e-book &#8217;zine <i>Strangeways</i>.<br><br>John Kessel is a Nebula, Sturgeon, and Locus award winner and the author of <i>Corrupting Dr. Nice</i>, <i>Good News From Outer Space</i>, and <i>The Pure Product</i>. He teaches courses in science fiction, fantasy, and fiction writing at North Carolina State University. His criticism has appeared in Foundation, the <i>Los Angeles Times Book Review</i>, the <i>New York Review of Science Fiction</i>, and <i>Science Fiction Age</i>.</div>

James Patrick Kelly is the Hugo, Nebula, and Italia award–winning author of Burn, Think Like a Dinosaur, and Wildlife. He is a member of the faculty of the Stonecoast Creative Writing MFA Program at the University of Southern Maine. He has co-edited a series of anthologies with John Kessel, described by the Encyclopedia of Science Fiction as “each surveying with balance and care a potentially disputed territory within the field.” Kelly is the technology columnist for Asimov’s Science Fiction magazine and the publisher of the e-book ’zine Strangeways.

John Kessel is a Nebula, Sturgeon, and Locus award winner and the author of Corrupting Dr. Nice, Good News From Outer Space, and The Pure Product. He teaches courses in science fiction, fantasy, and fiction writing at North Carolina State University. His criticism has appeared in Foundation, the Los Angeles Times Book Review, the New York Review of Science Fiction, and Science Fiction Age.


James Patrick Kelly is the Hugo, Nebula, and Italia award?winning author of Burn, Think Like a Dinosaur, and Wildlife. He is a member of the faculty of the Stonecoast Creative Writing MFA Program at the University of Southern Maine. He has co-edited a series of anthologies with John Kessel, described by the Encyclopedia of Science Fiction as ?each surveying with balance and care a potentially disputed territory within the field.” Kelly is the technology columnist for Asimov’s Science Fiction magazine and the publisher of the e-book ’zine Strangeways.

John Kessel is a Nebula, Sturgeon, and Locus award winner and the author of Corrupting Dr. Nice, Good News From Outer Space, and The Pure Product. He teaches courses in science fiction, fantasy, and fiction writing at North Carolina State University. His criticism has appeared in Foundation, the Los Angeles Times Book Review, the New York Review of Science Fiction, and Science Fiction Age.

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Rewired

the post-cyberpunk anthology

By James Patrick Kelly, John Kessel

Tachyon Publications

Copyright © 2007 James Patrick Kelly & John Kessel
All rights reserved.
ISBN: 978-1-892391-53-7

Contents

INTRODUCTION: Hacking Cyberpunk | James Patrick Kelly & John Kessel,
Sterling-Kessel Correspondence,
Bruce Sterling | "Bicycle Repairman",
Gwyneth Jones | "Red Sonja and Lessingham in Dreamland",
Jonathan Lethem | "How We Got in Town and out Again",
Greg Egan | "Yeyuka",
Pat Cadigan | "The Final Remake of The Return of Little Latin Larry with a Completely Remastered Soundtrack and the Original Audience",
William Gibson | "Thirteen Views of a Cardboard City",
David Marusek | "The Wedding Album",
Walter Jon Williams | "Daddy's World",
Michael Swanwick | "The Dog Said Bow-Wow",
Charles Stross | "Lobsters",
Paul Di Filippo | "What's Up, Tiger Lily?",
Christopher Rowe | "The Voluntary State",
Elizabeth Bear | "Two Dreams on Trains",
Paolo Bacigalupi | "The Calorie Man",
Mary Rosenblum | "Search Engine",
Cory Doctorow | "When Sysadmins Ruled the Earth",


CHAPTER 1

Bicycle Repairman

Bruce Sterling


Accompanying CP'S fascination with the "street" came the assumption that, outside of middle-class social structures, new things can be done. Here Chairman Bruce himself observes that the middle class exerts its pull and the outsiders move toward the ordinary. Ten years after the conclusion of this story Lyle will be running a business and Deep Eddy will be a media commentator, both married (and probably divorced) with children.

This PCP story consciously reverses many cyberpunk clichés: it abjures sex and gives the hero a mother. Most amusing of all, Sterling dismantles the myth of the ninja black ops secret agent, a character helpless here in the face of a streetwise community and a social worker.


Repeated tinny banging woke Lyle in his hammock. Lyle groaned, sat up, and slid free into the tool-crowded aisle of his bike shop.

Lyle hitched up the black elastic of his skintight shorts and plucked yesterday's grease-stained sleeveless off the workbench. He glanced blearily at his chronometer as he picked his way toward the door. It was 10:04.38 in the morning, June 27, 2037.

Lyle hopped over a stray can of primer and the floor boomed gently beneath his feet. With all the press of work, he'd collapsed into sleep without properly cleaning the shop. Doing custom enameling paid okay, but it ate up time like crazy. Working and living alone was wearing him out.

Lyle opened the shop door, revealing a long sheer drop to dusty tiling far below. Pigeons darted beneath the hull of his shop through a soot-stained hole in the broken atrium glass, and wheeled off to their rookery somewhere in the darkened guts of the high-rise.

More banging. Far below, a uniformed delivery kid stood by his cargo tricycle, yanking rhythmically at the long dangling string of Lyle's spot-welded doorknocker.

Lyle waved, yawning. From his vantage point below the huge girders of the cavernous atrium, Lyle had a fine overview of three burnt-out interior levels of the old Tsatanuga Archiplat. Once elegant handrails and battered pedestrian overlooks fronted on the great airy cavity of the atrium. Behind the handrails was a three-floor wilderness of jury-rigged lights, chicken coops, water tanks, and squatters' flags. The fire-damaged floors, walls, and ceilings were riddled with handmade descent-chutes, long coiling staircases, and rickety ladders.

Lyle took note of a crew of Chattanooga demolition workers in their yellow detox suits. The repair crew was deploying vacuum scrubbers and a high-pressure hose-off by the vandal-proofed western elevators of Floor 34. Two or three days a week, the city crew meandered into the damage zone to pretend to work, with a great hypocritical show of sawhorses and barrier tape. The lazy sons of bitches were all on the take.

Lyle thumbed the brake switches in their big metal box by the flywheel. The bike shop slithered, with a subtle hiss of cable-clamps, down three stories, to dock with a grating crunch onto four concrete-filled metal drums.

The delivery kid looked real familiar. He was in and out of the zone pretty often. Lyle had once done some custom work on the kid's cargo trike, new shocks and some granny-gearing as he recalled, but he couldn't remember the kid's name. Lyle was terrible with names. "What's up, zude?"

"Hard night, Lyle?"

"Just real busy."

The kid's nose wrinkled at the stench from the shop. "Doin' a lot of paint work, huh?" He glanced at his palmtop notepad. "You still taking deliveries for Edward Dertouzas?"

"Yeah. I guess so." Lyle rubbed the gear tattoo on one stubbled cheek. "If I have to."

The kid offered a stylus, reaching up. "Can you sign for him?"

Lyle folded his bare arms warily. "Naw, man, I can't sign for Deep Eddy. Eddy's in Europe somewhere. Eddy left months ago. Haven't seen Eddy in ages."

The delivery kid scratched his sweating head below his billed fabric cap. He turned to check for any possible sneak-ups by snatch-and-grab artists out of the squatter warrens. The government simply refused to do postal delivery on the Thirty-second, Thirty-third, and Thirty-fourth floors. You never saw many cops inside the zone, either. Except for the city demolition crew, about the only official functionaries who ever showed up in the zone were a few psychotically empathetic NAFTA social workers.

"I'll get a bonus if you sign for this thing." The kid gazed up in squint-eyed appeal. "It's gotta be worth something, Lyle. It's a really weird kind of routing, they paid a lot of money to send it just that way."

Lyle crouched down in the open doorway. "Let's have a look at it."

The package was a heavy shockproof rectangle in heat-sealed plastic shrink-wrap, with a plethora of intra-European routing stickers. To judge by all the overlays, the package had been passed from postal system to postal system at least eight times before officially arriving in the legal custody of any human being. The return address, if there had ever been one, was completely obscured. Someplace in France, maybe.

Lyle held the box up two-handed to his ear and shook it. Hardware.

"You gonna sign, or not?"

"Yeah." Lyle scratched illegibly at the little signature panel, then looked at the delivery trike. "You oughta get that front wheel trued."

The kid shrugged. "Got anything to send out today?"

"Naw," Lyle grumbled, "I'm not doing mail-order repair work anymore; it's too complicated and I get ripped off too much."

"Suit yourself." The kid clambered into the recumbent seat of his trike and pedaled off across the heat-cracked ceramic tiles of the atrium plaza.

Lyle hung his hand-lettered Open for Business sign outside the door. He walked to his left, stamped up the pedaled lid of a jumbo garbage can, and dropped the package in with the rest of Dertouzas's stuff.

The can's lid wouldn't close. Deep Eddy's junk had finally reached critical mass. Deep Eddy never got much mail at the shop from other people, but he was always sending mail to himself. Big packets of encrypted diskettes were always arriving from Eddy's road jaunts in Toulouse, Marseilles, Valencia, and Nice. And especially Barcelona. Eddy had sent enough gigabyte-age out of Barcelona to outfit a pirate data-haven.

Eddy used Lyle's bike shop as his safety-deposit box. This arrangement was okay by Lyle. He owed Eddy;...

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ISBN 10:  1892391619 ISBN 13:  9781892391612
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