Inhaltsangabe
This edition comes with no CD. You must purchase either the associated CD separately or digitally download the CD from an on-line vendor. Otherwise this book is exactly the same as the book/CD edition.Just as an artist must know every color in order to create a beautiful painting, a musician must know and hear all the notes of the musical "palette" in order to create good music. This ear training method has been developed to teach the student how to hear the way musical sounds are organized within a key. With proper application, the student will be able to: . Recognize notes without depending on an instrument. . Identify which notes other musicians are playing. . Instantly know what key a chord progression is in. . Sing or transcribe the notes in a given melody. These are all invaluable tools for both playing and composing music. It takes time to develop a truly exceptional ear. This book presents a long-term process, whereby pitch perception can be steadily and significantly improved. The basic concepts of how to use this method are followed by many pages of exercises making this book a lifelong companion. All exercises in this book should be used with the aforementioned separately available audio CD. This CD has the same title as this book. The audio portion of this book is also available in MP3 format. Both formats can be purchased from various on-line vendors. A list of recommended vendors can be found on the muse-eek.com website. This book is a required text at New York University and Princeton University and is recommended for music students ages 13 and up.
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Über die Autorin bzw. den Autor
Bruce Arnold is a guitarist, composer, educator, and author. As a musician, he has achieved a sound that sets him apart by applying jazz improvisational techniques to 20th century-12-tone compositional methods. He has recorded three critically acclaimed CDs that document his unique approach to composition and improvisation, and he has also pioneered the use of the guitar as a controller via the computer program SuperCollider. Bruce co-leads the group Spooky Actions which takes music from sources as far afi eld as Native American songs to classics by composers such as Webern and Messiaen as vehicles for improvisation. Bruce has a distinguished and versatile performance history, having performed with Stanley Clarke, Joe Pass, Joe Lovano, Randy Brecker, Peter Erskine, Stuart Hamm, the Absolute Ensemble under the baton of Kristjan Järvi,and the Boston Symphony Orchestra. He is the author of over 50 books on music education and directs the groundbreaking NYU Summer Guitar Intensive, which annually brings together the best guitarists in the world to create an inspiring educational environment for the serious student of guitar.
Aus dem Klappentext
Just as an artist must know every color in order to create a beautiful painting, a musician must know and hear all the notes of the musical palette in order to create good music.This ear training method has been developed to teach the student how to hear the way musical sounds are organized within a key. With proper application, the student will be able to: Recognize notes without depending on an instrument. Identify which notes other musicians are playing. Instantly know what key a chord progression is in. Sing or transcribe the notes in a given melody.These are all invaluable tools for both playing and composing music.It takes time to develop a truly exceptional ear. This book presents a long-term process, whereby pitch perception can be steadily and significantly improved.The basic concepts of how to use this method are followed by many pages of exercises making this book a lifelong companion.All exercises in this book should be used with the separately available audio CD. This CD has the same title as this book. The audio portion of this book is also available in MP3 format. Both formats can be purchased from various online vendors. A list of recommended vendors can be found on the muse-eek.com website.This book is a required text at New York University and Princeton University and is recommended for music students ages 13 and up.
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A Fanatic's Guide to Ear Training and Sight Singing
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