Studying the gravitational pull of the meanings people assign objects, rather than shifting subject or focus from poem to poem, this collection of prose poems demonstrates a clever construction and inclusive thought process. Versus merely mapping the human experience, as is the case with many other poetry collections, the landscape of these poems is multidimensional and twists in unexpected ways. The poet was partially inspired by Charles Baudelaire's Petits poèmes en prose and Francis Ponge’s La Fabrique du pré, Meier’s poems take up their explorations of poetry as more than the individual line.
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Richard Meier is a poet and a poetry teacher, having worked with the Teachers and Writers Collaborative in New York and in Chicago with the Poetry Center’s Hands on Stanzas, for which he received the Gwendolyn Brooks Award for Excellence in teaching. He is the writer-in-residence at Carthage College, and the author of the poetry collections Shelley Gave Jane a Guitar and Terrain Vague, selected by Tomaž Šalamun for the Verse Prize. He divides his time between Chicago and Madison, Wisconsin.
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Taschenbuch. Zustand: Neu. Neuware - In the Pure Block of the Whole Imaginary pushes past the line and the fragment and toward the sentence, the thought trying to complete, the paragraph, a distinct passage. The poems, most a single paragraph, are comprised of several of the many things a paragraph is said to consist of, including, according to the OED: 'a distinct passage or section of a text, usually composed of several sentences, dealing with a particular point, a short episode in a narrative, a single piece of direct speech, etc.' The first poem in the project, though no longer the first in the book, was written while reading Francis Ponge's amazing The Making of Le Pre, which reproduces his notes toward the poem Le Pre alongside a translated type-written transcription. The form of the notes--crammed into every corner of the page, gathering observation, research, reading, quotations, anecdote--suggested a more inclusive way to think and write. The book, with its not-quite 50 prose poems, is also an imaginary completion, an echo or a shadow or shade, of Baudelaire's planned 100 Petits poèmes en prose. The book, then, became a project only after the fact, or in response to the fact, of the poems' emergence. The opening of each section--the first few words from each poem in that section--operate as a kind of descriptive table of contents for each section and also a poem of sorts, as those chapter headings often were novels of the past. Artikel-Nr. 9781890650698
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