Azaria Mbatha is one of South Africa's most important contemporary artists in the last century. This autobiography is rooted in the traditional Zulu heritage of his childhood and the tenets of Christianity imparted by his father. Mbatha weaves his own history into the history of his family, into the history of South Africa and into the history of his time, as he experienced it. The book is a vehicle for Mbatha's spiritual, political and social commentary, and it reflects issues of the author's personal involvement in historical, religious and existential themes. Mbatha writes under a strong sense of compulsion to his generation. He links the lives, experiences and histories he has inherited from earlier generations to lives as yet unborn through the medium of story telling. This autobiography is part memoir, part ethnography, part folk tale, part history and part moral construction. Mbatha adopts a firm stance as a commentator within a crumbling society racked by personal and collective conflict. Within Loving Memory of the Century is freely illustrated with Mbatha's own artwork.
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Azaria Mbatha was born in 1941 in rural Zululand in South Africa. Between 1963 and 1966 he studied at the Evangelical Lutheran Church Art and Craft Centre at Rorke's Drift, under Peter Gowenius. In 1966, Mbatha was awarded a scholarship to study at the Konst Jack Art School in Stockholm. He returned in 1967 to teach at Rorke's Drift and stayed in South Africa until 1969, when he left to complete his formal education, obtaining a degree in Art and History and Social Science from University of Lund in Sweden, where he settled and where he exhibits regularly. He has received numerous awards for his art over his long career as an artist. Even after almost 30 years in Europe, Mbatha still feels close to his culture - something borne out in this autobiography.
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