In guiding us through the process of interpreting and capturing landscapes digitally, Peter Watson proves that it is not only what we see but how we see it that makes a difference. He challenges us to transform our very gaze even before we click the shutter, and see the world like a skilled artist ?painting with light.” With patience, a meticulous eye, and his own images, he explains how fields, trees, mountains, and rivers can become a complex yet readable pattern of lines, shapes, colors, and textures. It’s a uniquely scientific approach to seizing creative opportunities in your photography.
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Peter is a contributing photographer to several image libraries and his work appears extensively in books, magazines and calendars, as well as on greeting cards and in exhibitions. As well as landscapes, Peter undertakes commissioned work for clients, primarily architectural photography. He has written several other books including two for GMC: Light in the Landscape – a Photographer’s Year (2001) and The Field Guide to Landscape Photography (2002); three for Photographers’ Institute Press: Capturing the Light (2005), Reading the Landscape (2009) and Seasons of Landscape (2010); and two for Ammonite Press: Views Across the Landscape (2013) and Composition in the Landscape (2014).
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