Book by Adorno Theodor W Theodor W Adorno Author Rodney Li
Die Inhaltsangabe kann sich auf eine andere Ausgabe dieses Titels beziehen.
"This is an extraordinary book ... one of Adorno's most impressive, fecund and elegant works. Readers who may feel intimidated by Adorno's reputation for obscurity should find this book (with its superbly assured and unobtrusive translation by Rodney Livingstone) a welcome surprise ... It will appeal to anyone who wishes to encounter one of the century's most challenging and provocative social theorists at his most openly enthusiastic."--Graham McCann, "Times Higher Education Supplement"
Quasi una Fantasia contains Adorno's own selection from his essays and journalism over more than three decades. In its analytical profundity it can be compared to his Philosophy of Modern Music, but in the range of its topics and the clarity of its arguments it stands alone among Adorno's writings on music. At the book's core are illuminating studies of the founders of modern music: Mahler, Schoenberg and Berg, as well as sympathetic rediscoveries of Alexander Zemlinsky and Franz Schreker. Especially significant is Adorno's "dialectical portrait" of Stravinsky in which he both reconsiders and refines the damning indictment he gave in Philosophy on Modern Music. In 'Vers une musique informelle', an influential essay, he plots a course for a music of the future 'which takes up the challenge of an unrevised, unrestricted freedom'. More unexpectedly, there are moving accounts of earlier works, including Bizet's Carmen and Weber's Der Freischutz, along with an entertainingly caustic "Natural History of the Theatre." Which explores the hierarchies of the auditorium, from upper circle to foyer. 'The positive element of kitsch', Adorno remarks, 'lies in the fact that it sets free for a moment the glimmering realization that you have wasted your life.' Musical kitsch is the target of several of the shorter pieces: on Gounod's Ave Maria or Tchaikovsky's 'clumsy naivety'; on the 'Penny Serenade' of the transformation of Mozart into chocolate-box rococo. Yet even while Adorno demolishes 'commodity music' he is sustained by the conviction that music is supremely human because it retains the capacity to speak of inhumanity and to resist it. It is a conviction which reverberates throughout these writings. For Adorno, music and philosophy were inextricably linked: Quasi una Fantasia will enlarge our understanding of both.
„Über diesen Titel“ kann sich auf eine andere Ausgabe dieses Titels beziehen.
Versand:
Gratis
Innerhalb der USA
Anbieter: Better World Books, Mishawaka, IN, USA
Zustand: Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages. Artikel-Nr. GRP82039660
Anzahl: 1 verfügbar
Anbieter: WorldofBooks, Goring-By-Sea, WS, Vereinigtes Königreich
Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Artikel-Nr. GOR004292010
Anzahl: 1 verfügbar
Anbieter: Anybook.com, Lincoln, Vereinigtes Königreich
Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Artikel-Nr. 9486148
Anzahl: 1 verfügbar