The idea that the past is a plaything of the present, or a metafiction, is only now beginning to disturb the tranquility of professional historians, but for some 20 years it has been a commonplace of epistemological criticism, and a mainspring of experimental work in literature and the arts. Thus, in magical realism or modern Gothic the fairy tale can appear as the latest thing; while in the visual arts, futurist installations offer themselves as parodies of Old Masters.
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Raphael Samuel (1934-1996) was a tutor in History at Ruskin College, Oxford, and a founding editor of "History Workshop Journal." His works include "Theatres of Memory" and "Island Stories," also from Verso. For more information about his work, see The Raphael Samuel History Centre and Archive online.
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Anbieter: WorldofBooks, Goring-By-Sea, WS, Vereinigtes Königreich
Paperback. Zustand: Very Good. In this widely acclaimed book, Raphael Samuel takes issue with the claim that our obsession with heritage is a symptom of national decay. He argues rather that we live in an expanding historical culture, one which is newly alert to the evidence of the visual and which is altogether more pluralist than earlier versions of the national past. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Artikel-Nr. GOR002015841
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Anbieter: Better World Books Ltd, Dunfermline, Vereinigtes Königreich
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Anbieter: Phatpocket Limited, Waltham Abbey, HERTS, Vereinigtes Königreich
Zustand: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. Artikel-Nr. Z1-H-021-01782
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paperback. Zustand: Acceptable. Please see the condition note after this for details, if this is missing please consider Acceptable to mean poor quality that could include major staining, water damage, writing, missing dustjacket, etc etc. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only. Artikel-Nr. P-BDI00465-RAG-20251105-A
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Anbieter: Anybook.com, Lincoln, Vereinigtes Königreich
Zustand: Good. Volume 1. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,800grams, ISBN:9781859840771. Artikel-Nr. 9391546
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Zustand: Good. Volume 1. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Clean from markings. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,850grams, ISBN:9781859840771. Artikel-Nr. 9238230
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Anbieter: Anybook.com, Lincoln, Vereinigtes Königreich
Zustand: Good. Volume 1. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,850grams, ISBN:9781859840771. Artikel-Nr. 4130506
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Anbieter: Anybook.com, Lincoln, Vereinigtes Königreich
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Anbieter: Ground Zero Books, Ltd., Silver Spring, MD, USA
Trade paperback. Zustand: Very good. Second Printing [stated]. The format is approximately 6 inches by 9.25 inches. xiv, 479, [3] pages. Illustrations. Notes. Index. In this widely acclaimed book, Raphael Samuel takes issue with the claim that our obsession with heritage is a symptom of national decay. He argues rather that we live in an expanding historical culture, one which is newly alert to the evidence of the visual and which is altogether more pluralist than earlier versions of the national past. Raphael Elkan Samuel (26 December 1934 - 9 December 1996) was a British Marxist historian, described by Stuart Hall as "one of the most outstanding, original intellectuals of his generation". He was professor of history at the University of East London at the time of his death and also taught at Ruskin College from 1962 until his death. He founded the History Workshop movement at trade union connected Ruskin College, Oxford. Samuel and the History Workshop movement powerfully influenced the development of the approach to historical research and writing commonly called "history from below". The idea that the past is a plaything of the present, or a metafiction, is only now beginning to disturb the tranquility of professional historians, but for some 20 years it has been a commonplace of epistemological criticism, and a mainspring of experimental work in literature and the arts. Thus, in magical realism or modern Gothic the fairy tale can appear as the latest thing; while in the visual arts, futurist installations offer themselves as parodies of Old Masters. When Theatres of Memory was first published in 1994, it transformed the debate about what is to be considered history and questioned the role of "heritage" that lies at the heart of every Western nation's obsession with the past. Today, in the age of Downton Abbey and Mad Men, we are once again conjuring historical fictions to make sense of our everyday lives. In this remarkable book, Samuel looks at the many different ways we use the "unofficial knowledge" of the past. Considering such varied areas as the fashion for "retrofitting," the rise of family history, the joys of collecting old photographs, the allure of reenactment societies and televised adaptations of Dickens, Samuel transforms our understanding of the uses of history. He shows us that history is a living practice, something constantly being reassessed in the world around us. Artikel-Nr. 87241
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