This book examines the way that objects ’speak’ to us through the memories that we associate with them. Instead of viewing the meaning of particular designs as fixed and given, by looking at the process of evocation it finds an open and continuing dialogue between things, their makers and their consumers. This is not, however, to diminish the role of design in shaping human consciousness. The contributors do not view objects as blank carriers onto which humans project prior psychic dramas, but rather, place crucial importance on the precise materials from which they are made, their social, economic and historic reasons for being, and the way that we interact with them through our senses. This book therefore studies the physical within the intellectual, directly testing the concept of material culture. With telling illustrations, and spanning the Renaissance to the present day, leading scholars converge across disciplines to explore the souvenir-value of jewellery, textiles, the home, the urban space, modernist design, photography, the museum and even the sunken wreck. Together they show how the sense of the past and of history, far from being a ’radical illusion’ as some post-modernists claim, has been a deeply felt reality.
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Chris Breward is the Director of National Museums Scotland. He was trained at the Courtauld Institute and the Royal College of Art, London and has previously worked as Director of Collection and Research at the National Galleries of Scotland, Head of Research at the Victoria & Albert Museum, London and as Principal of Edinburgh College of Art, University of Edinburgh. His published interests include the relationship between art and fashion, visual and cultural histories of masculinity, and histories of city life. He is the author of Fashioning London (Bloomsbury, 2004) and co-editor of Material Memories (Bloomsbury, 1999), The Englishness of English Dress (Bloomsbury, 2002), Fashion and Modernity (Bloomsbury, 2005), Fashion's World Cities (Bloomsbury, 2006), and Styling Shanghai (Bloomsbury, 2020).
Jeremy Aynsley is Professor of Design History and founding Director of the Centre for Design History at the University of Brighton, UK.
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Anbieter: Better World Books Ltd, Dunfermline, Vereinigtes Königreich
Zustand: Good. Ships from the UK. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages. Artikel-Nr. 7700656-6
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Anbieter: DogStar Books, Lancaster, PA, USA
Paperback. Zustand: Very Good-. Materializing Culture, 5; B & W Photographs & reproductions; Large 8vo 9" - 10" tall; 256 pages; 1999 Berg Publishers. Larger trade size paperback in title lettered covers. Soundly bound and unmarked. Covers lightly shelf rubbed at edges; spine a little sunfaded. Light finger handling soil to page block edges. Illustrated with some b&w photos. VG-. Artikel-Nr. 53900
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
Paperback. Zustand: Brand New. 256 pages. 9.25x6.25x0.50 inches. In Stock. Artikel-Nr. x-1859732526
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