John Ford's "The Quiet Man" (1952) is the most popular cinematic representation of Ireland, and one of Hollywood's classic romantic comedies. For some viewers and critics the film is a powerful evocation of romantic Ireland and the search for home; for others, it is a showcase for the worst stereotypes of stage-Irishry. Much of Irish cinema since the development of an indigenous film industry in the 1980s has set its face firmly against these mythic images of Ireland, but no film has yet attained the enduring appeal of "The Quiet Man". In this radical reappraisal of Ford's Oscar-winning film, Luke Gibbons traces its development from Maurice Walsh's original story (1933) and argues that its romantic excesses are a symptom of much darker undercurrents in the literary text, and the displacement of trauma that often underlies nostalgia. Moreover, Gibbons ably demonstrates how the film, rather than indulging in escapism, actually questions its own romantic illusions and the dream of returning to an Irish paradise lost.
Die Inhaltsangabe kann sich auf eine andere Ausgabe dieses Titels beziehen.
Luke Gibbons is Professor of English, Film, Television and Theatre, at the University of Notre Dame, Indiana.
„Über diesen Titel“ kann sich auf eine andere Ausgabe dieses Titels beziehen.
Anbieter: World of Books (was SecondSale), Montgomery, IL, USA
Paperback. Zustand: Good. John Ford's "The Quiet Man" (1952) is the most popular cinematic representation of Ireland, and one of Hollywood's classic romantic comedies. For some viewers and critics the film is a powerful evocation of romantic Ireland and the search for home; for others, it is a showcase for the worst stereotypes of stage-Irishry. Much of Irish cinema since the development of an indigenous film industry in the 1980s has set its face firmly against these mythic images of Ireland, but no film has yet attained the enduring appeal of "The Quiet Man". In this radical reappraisal of Ford's Oscar-winning film, Luke Gibbons traces its development from Maurice Walsh's original story (1933) and argues that its romantic excesses are a symptom of much darker undercurrents in the literary text, and the displacement of trauma that often underlies nostalgia. Moreover, Gibbons ably demonstrates how the film, rather than indulging in escapism, actually questions its own romantic illusions and the dream of returning to an Irish paradise lost. Artikel-Nr. 00110854312
Anzahl: 1 verfügbar
Anbieter: ThriftBooks-Atlanta, AUSTELL, GA, USA
Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. Artikel-Nr. G1859182879I3N00
Anzahl: 1 verfügbar
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. 2002. Paperback. Series: Ireland into Film S. Num Pages: 122 pages, Illustrations. BIC Classification: APFA. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 136 x 190 x 7. Weight in Grams: 200. . . . . . Books ship from the US and Ireland. Artikel-Nr. V9781859182871
Anzahl: 10 verfügbar