This book introduces a group of sixteenth-century stained glass panels from the Victoria & Albert Museum, London together with German paintings of the same period from the National Gallery.
By the first half of the sixteenth century in Germany, stained glass, whether maid for religious or secular purposes, had reached astonishing heights of sophistication, both in concept and in execution. Glass panels of this period display imagery and visual approaches similar to the painted panels with which they frequently formed ensemble pieces in churches - and increasingly, during the early part of the century, were made by the same designers. The comparison of works in paint and in glass illuminates the stylistic and compositional similarities between the two, and reminds us that at this time, the relationship between artist and craftsman, between 'fine' and decorative arts, was more intimate, and less clearly differentiated, than we may think.
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Susan Foister is Director of Collections and Curator of Early Netherlandish, German, and British Paintings at the National Gallery, London. She is author of Holbein and England and Durer and the Virgin in the Garden and co-author of Making and Meaning: Holbein's Ambassadors and Durer to Veronese, all distributed by Yale.
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Paperback. Zustand: Very Good. By the first half of the sixteenth century, German stained glass had reached astonishing heights of artistic and conceptual sophistication. Although often made for churches, not all stained glass of this period was religious; subject matter included landscapes, genre scenes, and heraldic imagery, as well as Biblical scenes. This title examines a group of German stained glass panels, both religious and secular, alongside paintings of the same period to illuminate the stylistic and compositional relationships between the two crafts. Among the many featured works are prints by Durer that were later used as sources for glass designs as well as drawings by other artists and the stained glass works produced after them. Also included is a striking stained glass window made for Mariawald Abbey and the National Gallery's painted panels of about the same date completed for the altarpiece of Liesborn Abbey. Comparisons of these masterpieces reveal the interconnectedness between artist and craftsman and 'fine' and decorative arts during this time. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Artikel-Nr. GOR001652957
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