William Morris (1834–96) regarded beauty as a basic human birthright. In this fascinating book, which accompanies a major exhibition, Morris’s biographer Fiona MacCarthy looks at how his highly original and generous vision of a new form of society in which art could flourish has reverberated through the decades. In 1860 Morris moved into the now famous Red House at Bexleyheath in Kent. Here his ideas found practical expression in its decoration, undertaken with the help of his artist–craftsman friends Edward Burne-Jones, Ford Madox Brown and Dante Gabriel Rossetti, who envisaged the project as the first stage in a campaign against the debased artistic standards of the mid-Victorian age. From these beginnings, MacCarthy charts the development of a revolution: the setting-up of Morris’s shop (later Morris & Co.), his embracing of radical ideas of sexual freedom and libertarianism, and the publication of his visionary novel News from Nowhere (1890), in which he advanced his hopes for a dismantling of the stultifying structures of society and their replacement by a more equable and fluid way of life. Later chapters explore how Morris’s ideas came to influence the Arts and Crafts movement in Britain, Europe and the USA, the Garden City movement, and numerous artists and craftspeople who sought to negotiate a viable place within the modern world in the troubled years that followed the First World War. Finally, MacCarthy explains the continuing relevance of Morris’s ideals, as expressed in the planning and execution of the Festival of Britain in 1951, a regenerative project of the post-war Labour government that inspired a number of young designers such as Terence Conran with a direct sense of mission to bring the highest design standards within the reach of everyone.
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William Morris (183496) regarded beauty as a basic human birthright. In this fascinating book, which accompanies a major exhibition, Morriss biographer Fiona MacCarthy looks at how his highly original and generous vision of a new form of society in which art could flourish has reverberated through the decades. In 1860 Morris moved into the now famous Red House at Bexleyheath in Kent. Here his ideas found practical expression in its decoration, undertaken with the help of his artistcraftsman friends Edward Burne-Jones, Ford Madox Brown and Dante Gabriel Rossetti, who envisaged the project as the first stage in a campaign against the debased artistic standards of the mid-Victorian age. From these beginnings, MacCarthy charts the development of a revolution: the setting-up of Morriss shop (later Morris & Co.), his embracing of radical ideas of sexual freedom and libertarianism, and the publication of his visionary novel News from Nowhere (1890), in which he advanced his hopes for a dismantling of the stultifying structures of society and their replacement by a more equable and fluid way of life. Later chapters explore how Morriss ideas came to influence the Arts and Crafts movement in Britain, Europe and the USA, the Garden City movement, and numerous artists and craftspeople who sought to negotiate a viable place within the modern world in the troubled years that followed the First World War. Finally, MacCarthy explains the continuing relevance of Morriss ideals, as expressed in the planning and execution of the Festival of Britain in 1951, a regenerative project of the post-war Labour government that inspired a number of young designers such as Terence Conran with a direct sense of mission to bring the highest design standards within the reach of everyone.
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Versandziele, Kosten & DauerAnbieter: Black Gull Books (P.B.F.A.), St Leonard's on Sea, Vereinigtes Königreich
hardcover. Zustand: Very Good. Artikel-Nr. 12866
Anzahl: 1 verfügbar
Anbieter: Anybook.com, Lincoln, Vereinigtes Königreich
Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1250grams, ISBN:9781855144842. Artikel-Nr. 5847879
Anzahl: 1 verfügbar
Anbieter: Powell's Bookstores Chicago, ABAA, Chicago, IL, USA
Zustand: Used - Very Good. 2014. Paperback. Pictorial boards. Quarto. 183 pp. Profusely illustrated. Slight shelf wear to boards. Very Good. Artikel-Nr. C58680
Anzahl: 1 verfügbar
Anbieter: Pendleburys - the bookshop in the hills, Llanwrda, Vereinigtes Königreich
Hardcover. Zustand: Very Good. No Jacket. hardback, quarto, cloth backed pictorial laminate boards. Published to accompany the exhibition of the same name. Tightly bound and with a clean and unmarked text, knock to the bottom leading corner tip of the lower board. Illustrated throughout, 183pp. Artikel-Nr. 283430
Anzahl: 1 verfügbar
Anbieter: BookAddiction (IOBA, IBooknet), Canterbury, Vereinigtes Königreich
Hardcover. Zustand: As New. Still in publisher's shrink wrap. 4to. . Artikel-Nr. 024683
Anzahl: 1 verfügbar
Anbieter: WorldofBooks, Goring-By-Sea, WS, Vereinigtes Königreich
Paperback. Zustand: Very Good. William Morris (183496) regarded beauty as a basic human birthright. In this fascinating book, which accompanies a major exhibition, Morriss biographer Fiona MacCarthy looks at how his highly original and generous vision of a new form of society in which art could flourish has reverberated through the decades. In 1860 Morris moved into the now famous Red House at Bexleyheath in Kent. Here his ideas found practical expression in its decoration, undertaken with the help of his artistcraftsman friends Edward Burne-Jones, Ford Madox Brown and Dante Gabriel Rossetti, who envisaged the project as the first stage in a campaign against the debased artistic standards of the mid-Victorian age. From these beginnings, MacCarthy charts the development of a revolution: the setting-up of Morriss shop (later Morris & Co.), his embracing of radical ideas of sexual freedom and libertarianism, and the publication of his visionary novel News from Nowhere (1890), in which he advanced his hopes for a dismantling of the stultifying structures of society and their replacement by a more equable and fluid way of life. Later chapters explore how Morriss ideas came to influence the Arts and Crafts movement in Britain, Europe and the USA, the Garden City movement, and numerous artists and craftspeople who sought to negotiate a viable place within the modern world in the troubled years that followed the First World War. Finally, MacCarthy explains the continuing relevance of Morriss ideals, as expressed in the planning and execution of the Festival of Britain in 1951, a regenerative project of the post-war Labour government that inspired a number of young designers such as Terence Conran with a direct sense of mission to bring the highest design standards within the reach of everyone. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Artikel-Nr. GOR007061719
Anzahl: 4 verfügbar
Anbieter: The Topsham Bookshop, EXETER, DEVON, Vereinigtes Königreich
Hardcover. Zustand: Near Fine. 1st Edition. Invitation to the Anarchy & Beauty exhibition and personal note by the author taped to the front free end paper. Black and white photographs of William Morris as the front and rear covers. Pattern of light purple plants as the spine. White and red lettering on the front cover. White lettering on the spine. Black lettering on the rear cover. Slight bumping to the upper edge of the covers. Some rubbing to the lower edge of the covers. Black & white and colour photographs of different art pieces throughout the pages. 266 x 237 x 20 mm. 183 pages. Signed by Author(s). Artikel-Nr. 003957
Anzahl: 1 verfügbar