Sappho's fatal love for Phaon, told by Ovid and put into English verse by Pope, is transformed by Mary Robinson into a narrative sonnet-sequence. It is an unusual and arresting use of the sonnet, made the more striking by her choice not of the usual Shakespearean form, with its final rhymed couplet, but of the Petrarchan version preferred by Milton. In Milton's hands it was a majestic instrument. In Mary Robinson's it becomes a sensuous, Keatsian vehicle for a poem of passion and power.
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Sappho's fatal love for Phaon, told by Ovid and put into English verse by Pope, is transformed by Mary Robinson into a narrative sonnet-sequence. It is an unusual and arresting use of the sonnet, made the more striking by her choice not of the usual Shakespearean form, with its final rhymed couplet, but of the Petrarchan version preferred by Milton. In Milton's hands it was a majestic instrument. In Mary Robinson's it becomes a sensuous, Keatsian vehicle for a poem of passion and power.
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Zustand: Good. Some fading/creases/scratches to dustjacket. Titles have been written in pencil at top of page 39-82. Otherwise content very good. Artikel-Nr. 123130-LW12112024
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hardback, facsimile reprint of 1796 edition, 8vo, x,82pp, bookplate of Christopher Rowe on endpaper, text clean and tight, orange cloth, gilt titles, Very Good condition / no dustwrapper. ISBN: 1854772422. Artikel-Nr. 168163
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