This catalogue accompanies the Spring 2003 exhibition at Tate Britain. After years of cultural standoff, the period of High Romanticism was one of fervent artistic exchange between France and Britain. In the aftermath of Waterloo, British artists contributed regularly to Paris Salon, shared studios with French artists, collaborated with Parisian print publishers and established themselves as drawing masters to the French aristocracy. Artists from both countries criss-crossed the channel. Key themes emerged between the artists of the two nations: landscape; literature; history; portraiture; and painting in watercolour. These themes are explored, illustrated by many of the acknowledged masterpieces of Romantic painting including Constable, Corot, Delacroix, Gericault, Ingres Turner, Vernet and Wilke.
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This catalogue accompanies the Spring 2003 exhibition at Tate Britain. After years of cultural standoff, the period of High Romanticism was one of fervent artistic exchange between France and Britain. In the aftermath of Waterloo, British artists contributed regularly to Paris Salon, shared studios with French artists, collaborated with Parisian print publishers and established themselves as drawing masters to the French aristocracy. Artists from both countries criss-crossed the channel. Key themes emerged between the artists of the two nations: landscape; literature; history; portraiture; and painting in watercolour. These themes are explored, illustrated by many of the acknowledged masterpieces of Romantic painting including Constable, Corot, Delacroix, Gericault, Ingres Turner, Vernet and Wilke.
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Zustand: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. Artikel-Nr. Z1-C-088-06492
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Paperback. Zustand: Very Good. This catalogue accompanies the Spring 2003 exhibition at Tate Britain. After years of cultural standoff, the period of High Romanticism was one of fervent artistic exchange between France and Britain. In the aftermath of Waterloo, British artists contributed regularly to Paris Salon, shared studios with French artists, collaborated with Parisian print publishers and established themselves as drawing masters to the French aristocracy. Artists from both countries criss-crossed the channel. Key themes emerged between the artists of the two nations: landscape; literature; history; portraiture; and painting in watercolour. These themes are explored, illustrated by many of the acknowledged masterpieces of Romantic painting including Constable, Corot, Delacroix, Gericault, Ingres Turner, Vernet and Wilke. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Artikel-Nr. GOR003846601
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paperback. Zustand: Sehr gut. 296 p. Aus der Bibliothek von Prof. Wolfgang Haase, langjährigem Herausgeber der ANRW und des International Journal of the Classical Tradition (IJCT) / From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). Das Exemplar ist in einem sehr guten und sauberen Zustand ohne Anstreichungen. / The copy is in a very good and clean condition without markings. 6 Sponsor's Foreword -- 7 Foreword -- 8 Acknowledgements -- 10 -- Prologue -- Patrick Noon -- Colour and Effect: -- Anglo-French Painting in London and Paris -- Patrick Noon -- 28 Print Culture and the Illustration of History: -- An Anglo-French Perspective -- Stephen Bann -- 38 -- Chronology Rachel Meredith -- 45 -- Abbreviations and Notes -- 46 -- Introduction: Crossing the Channel -- 12 -- 66 The Raft of the Medusa in Britain: -- Audience and Context -- 94 -- Art on View: Expositions, Exhibitions and Salons -- 124 Literature and History: -- Shakespeare, Scott, Byron and Genre Historique -- 156 -- The School of Modern Life: -- History, Genre, Portraiture, Animals -- 192 -- 'The Finest Poetic Descriptions': -- Landscape Painting in France and Great Britain -- 232 -- Diamonds that Flatter and Ravish the Eye: The Ascendancy of Watercolour -- 284 -- Notes -- 286 -- Abbreviated References -- 291 -- Bibliography -- 292 -- Lenders and Credits -- 293 - Index. ISBN 9781854374592 Sprache: Englisch Gewicht in Gramm: 1441. Artikel-Nr. 1261310
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Paperback. Zustand: Very Good. No jacket. Tate Publishing, 2003. Paperback, 4to, 296pp, illust. Corners slightly rubbed. A good copy. 1854374591/1.5uk . (Please note that our condition gradings are stricter than those of Abebooks and many other sellers. There may therefore be a discrepancy between this description and its listed condition grading). Artikel-Nr. 359548
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