When the Pre-Raphaelite Brotherhood met in 1848, they were to produce a statement of ideas that would revolutionize artistic practice in pre-Victorian England. This book examines why these ideas still retain the power to fascinate and shock 150 years later.
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Elizabeth Prettejohn is Associate Senior Lecturer in Art History at the University of Plymouth. She is the author of Rossetti and his-Circle (1997) and Interpreting Sargent (1998), editor of After the Pre-Raphaelites: Art and Aestheticisin in Victorian England (1999), and co-editor with Tim Barringer of Frederic Leighton: Antiquity Renaissance, Modernity (1999).
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Anbieter: Lectioz Books, Gloucester, NSW, Australien
Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Good. 1st Edition. Jacket has moderate general wear and no tears. Light foxing to top edge of page-block. Internally clean. Binding tight. 304pp The first major publication on the Pre-Raphaelite movement in more than fifteen years, this exquisite volume incorporates the swell of recent research into a comprehensive, up-to-date survey. It comprises well over two hundred color reproductions, including works that are immediately recognizable as Pre-Raphaelite masterpieces, as well as lesser-known paintings that expand our appreciation of this significant artistic departure. Size: 225mm x 280mm. Book. Artikel-Nr. 029853
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