Published to coincide with an exhibition of Pierre Bonnard's work at the Tate Gallery in London (12th February - 17th May 1998) and the Museum of Modern Art, New York (24th June - 29th September 1998), this is a concise illustrated survey of Bonnard's use of colour and light. It reviews his life and work, and sets out to show, through an analysis of key works, how his technique and working methods developed over 50 years. During his long career, Bonnard's subject matter remained focused on his wife, his homes and his self-portraits, but his approach to these subjects changed radically. At first he worked chiefly in tone, but gradually colour enriched his work, and finally light suffused it. The author argues that Bonnard was not a sentimental survivor of Impressionism, as he was often labelled, but a highly demanding formal artist who transformed light into an emotional atmosphere enveloping the surface within which objects exist.
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Anbieter: WorldofBooks, Goring-By-Sea, WS, Vereinigtes Königreich
Paperback. Zustand: Very Good. Published to coincide with an exhibition of Pierre Bonnard's work at the Tate Gallery in London (12th February - 17th May 1998) and the Museum of Modern Art, New York (24th June - 29th September 1998), this is a concise illustrated survey of Bonnard's use of colour and light. It reviews his life and work, and sets out to show, through an analysis of key works, how his technique and working methods developed over 50 years. During his long career, Bonnard's subject matter remained focused on his wife, his homes and his self-portraits, but his approach to these subjects changed radically. At first he worked chiefly in tone, but gradually colour enriched his work, and finally light suffused it. The author argues that Bonnard was not a sentimental survivor of Impressionism, as he was often labelled, but a highly demanding formal artist who transformed light into an emotional atmosphere enveloping the surface within which objects exist. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Artikel-Nr. GOR001438921
Anzahl: 7 verfügbar
Anbieter: WorldofBooks, Goring-By-Sea, WS, Vereinigtes Königreich
Paperback. Zustand: Good. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine. Artikel-Nr. GOR002101271
Anzahl: 1 verfügbar
Anbieter: AwesomeBooks, Wallingford, Vereinigtes Königreich
Paperback. Zustand: Very Good. Bonnard Colour & Light: Colour and Light This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. . Artikel-Nr. 7719-9781854372567
Anzahl: 1 verfügbar
Anbieter: Bahamut Media, Reading, Vereinigtes Königreich
paperback. Zustand: Very Good. This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. Artikel-Nr. 6545-9781854372567
Anzahl: 2 verfügbar
Anbieter: World of Books (was SecondSale), Montgomery, IL, USA
Paperback. Zustand: Good. Published to coincide with an exhibition of Pierre Bonnard's work at the Tate Gallery in London (12th February - 17th May 1998) and the Museum of Modern Art, New York (24th June - 29th September 1998), this is a concise illustrated survey of Bonnard's use of colour and light. It reviews his life and work, and sets out to show, through an analysis of key works, how his technique and working methods developed over 50 years. During his long career, Bonnard's subject matter remained focused on his wife, his homes and his self-portraits, but his approach to these subjects changed radically. At first he worked chiefly in tone, but gradually colour enriched his work, and finally light suffused it. The author argues that Bonnard was not a sentimental survivor of Impressionism, as he was often labelled, but a highly demanding formal artist who transformed light into an emotional atmosphere enveloping the surface within which objects exist. Artikel-Nr. 00109348872
Anzahl: 1 verfügbar
Anbieter: Chapter 1, Johannesburg, GAU, Südafrika
paperback. Zustand: Very Good. The wraps are rubbed and marked. edge worn. interior clean. binding good. Ek. Our orders are shipped using tracked courier delivery services. Artikel-Nr. 5bbnu
Anzahl: 1 verfügbar
Anbieter: Wonder Book, Frederick, MD, USA
Zustand: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp. Artikel-Nr. Q06V-00060
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