One of the largest sections of the Turner Bequest at the Tate Gallery is a group made up of watercolour sketches, early studios for finished works, and finished and unfinished drawings. Although many of the designs appear to be abstract, Turner was not creating non-representational images but was employing a rapid "visual shorthand". These pictures remain among Turner's most popular works. This volume explains the creative process that underlies these images and the interpretive techniques which have been used to analyze them. Many of their subjects are identified and the pictures are arranged according to their subject-matter and historical purpose.
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One of the largest sections of the Turner Bequest at the Tate Gallery is a group made up of watercolour sketches, early studios for finished works, and finished and unfinished drawings. Although many of the designs appear to be abstract, Turner was not creating non-representational images but was employing a rapid "visual shorthand". These pictures remain among Turner's most popular works. This volume explains the creative process that underlies these images and the interpretive techniques which have been used to analyze them. Many of their subjects are identified and the pictures are arranged according to their subject-matter and historical purpose.
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4to. pp 111. Large format paperback. Copiously illustrated in colour and black and white throughout. Catalogue published for the exhibition at the Tate Gallery and Southampton City Art Gallery. Signed presentation from the author on the title page, "To Nick, with best wishes, Eric". Including a signed note from the author, loosely inserted. ISBN: 185437222X Light wear at lower corners, otherwise very good. Artikel-Nr. C22881
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