Mark Rothko (1903-1970) was one of a small group of great artists who helped establish New York as the dominant centre of world art in the 1950s, where he was one of the leading artists of the American-led Abstract Expressionist movement. Rothko's work was considered controversial in his elimination of line, leaving only colour to convey content. He remarked that he was "no colourist" and that to think so was to misunderstand his art, yet colour was his sole medium. At his death in 1970 Rothko left an immense store of paintings which became the subject of a celebrated lawsuit that brought the artist, his work and associates into the public eye. This book, first published to coincide with a major exhibition of Rothko's work in 1987, contains essays by two major scholars of the period, Professor Robert Rosenblum and Irving Sandler, along with contributions by two members of the Rothko Foundation, Bonnie Clearwater and Dana Cramer. Contributions from Michael Compton, then Keeper of Museum Services at the Tate Gallery, and leading critics David Sylvester and Robert Goldwater are also included. The bibliography and exhibition history have been fully updated for this edition.
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Mark Rothko (1903-1970) was one of a small group of great artists who helped establish New York as the dominant centre of world art in the 1950s, where he was one of the leading artists of the American-led Abstract Expressionist movement. Rothko's work was considered controversial in his elimination of line, leaving only colour to convey content. He remarked that he was "no colourist" and that to think so was to misunderstand his art, yet colour was his sole medium. At his death in 1970 Rothko left an immense store of paintings which became the subject of a celebrated lawsuit that brought the artist, his work and associates into the public eye. This book, first published to coincide with a major exhibition of Rothko's work in 1987, contains essays by two major scholars of the period, Professor Robert Rosenblum and Irving Sandler, along with contributions by two members of the Rothko Foundation, Bonnie Clearwater and Dana Cramer. Contributions from Michael Compton, then Keeper of Museum Services at the Tate Gallery, and leading critics David Sylvester and Robert Goldwater are also included. The bibliography and exhibition history have been fully updated for this edition.
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Soft cover. Zustand: Very Good. No Jacket. 1997 reprint of the 1996 revised edition. Softcover. Condition: Very good, with very light shelfwear to covers. No inscriptions. 206pp. Mark Rothko was one of a small group of great artists who helped establish New York as the dominant centre of the art world in the 1950s, where he was one of the leading artists of the American-led Abstract Expressionist movement. This book, first published to coincide with a major exhibition of Rothko's work in 1987 is now considered a classic text, and contains over 90 colour plates spanning a period of nearly 40 years. Artikel-Nr. 008481
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Soft cover. Zustand: Very Good. Revised Edition. Mark Rothko was one of a small group of great artists who helped establish New York as the dominant centre of the world art in the 1950s. This book, first published to coincide with a major exhibition of Rothko's work in 1987 and now considered a classic text, contains over ninety colour plates spanning nearly forty years. There is some creasing to the corners of the front pages. Artikel-Nr. 04675
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First edition, third printing. A revised version of the 1987 Tate exhibition catalogue. Fine paperback. Artikel-Nr. 23118
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