First published in parts between 1817 and 1824, this collection of 167 botanical prints was intended as a scientific treatise. Produced in collaboration with the botanist Claude-Antoine Thory, it achieved early fame for the beauty of the illustrations which show the glory and infinite variety of the rose. Pierre-Joseph Redoute was known in his time as "the Raphael of flowers". He was fortunate in his patronage, enjoying the favours of Queen Marie-Antoinette and the Empress Josephine, whose gardens at Malmaison inspired Redoute, though she did not live to see her protege's great work. The stipple-engraving of the original plates was a process that Redoute learnt in England in 1786 was perfectly matched to the delicacy and accuracy of the original paintings.
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First published in parts between 1817 and 1824, this collection of 167 botanical prints was intended as a scientific treatise. Produced in collaboration with the botanist Claude-Antoine Thory, it achieved early fame for the beauty of the illustrations which show the glory and infinite variety of the rose. Pierre-Joseph Redoute was known in his time as "the Raphael of flowers". He was fortunate in his patronage, enjoying the favours of Queen Marie-Antoinette and the Empress Josephine, whose gardens at Malmaison inspired Redoute, though she did not live to see her protege's great work. The stipple-engraving of the original plates was a process that Redoute learnt in England in 1786 was perfectly matched to the delicacy and accuracy of the original paintings.
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Paperback. Zustand: Very Good. First published in parts between 1817 and 1824, this collection of 167 botanical prints was intended as a scientific treatise. Produced in collaboration with the botanist Claude-Antoine Thory, it achieved early fame for the beauty of the illustrations which show the glory and infinite variety of the rose. Pierre-Joseph Redoute was known in his time as "the Raphael of flowers". He was fortunate in his patronage, enjoying the favours of Queen Marie-Antoinette and the Empress Josephine, whose gardens at Malmaison inspired Redoute, though she did not live to see her protege's great work. The stipple-engraving of the original plates was a process that Redoute learnt in England in 1786 was perfectly matched to the delicacy and accuracy of the original paintings. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Artikel-Nr. GOR001810256
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Anbieter: Chaucer Bookshop ABA ILAB, Canterbury, Vereinigtes Königreich
FIRST THUS Folio red cloth hardback, gilt, in unclipped dust jacket. 342pp., profusely illustrated in colour throughout. A clean copy with no previous owners' markings or inscriptions. A VERY GOOD COPY in VERY GOOD DUST JACKET. (Shelf 89 LARGE) ISBN: 1853269522 PLEASE NOTE: VERY Heavy BOOK (2.8 kg+) Postage rates vary according to destination, weight and speed. For an accurate overseas quote PLEASE either call or email us before ordering. [AbeBooks shipping quote is based on items weighing up to 1 kilo only]. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.** Pictures available upon request.** Visit our homepage for our shop opening hours. Over 20,000 books in stock - come and browse. PayPal, credit and most debit cards welcome. Books posted worldwide. For any queries please contact us direct. Artikel-Nr. 56525
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