Carol Rumens has always confronted the personal with the political in poems which are remarkable for their imaginative daring and their engagement with other lives. In her latest book of poems, she also stands against death itself, accepting mortality but invoking poetry’s alchemical powers of extending life through memory. Hex imagines a flawed God at work on a seriously failed creation. It doesn’t like the human race much either. Now and again it tries to say positive things but the overall view is God, what a mess. Surely as the shiny new millennium grinds on with blood-soaked predictability, we have to give up on any belief in the possibility of human evolution? But is there any design at all in creation? Or are we just all victims of some hex? Hex is Carol Rumens’s most varied collection, written in many different voices, including a series of highly inventive ‘rogue translations’ of Pushkin, Akhmatova and Ovid, with Mandelstam reimagined as a South London wide boy of the 1940s. She resurrects the figure of John Constable in a group of English pastoral meditations, and gives Sylvia Plath a chance to respond in the playfully posthumous sonnets of Letters Back. This reinvented Plath is a mask, according to Lidia Vianu, ‘a very Desperado device, wonderfully used…a resourceful, half-ironic, half critical dialogue with another poetic universe.’
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Carol Rumens is the author of 17 collections of poems, as well as occasional fiction, drama and translation. She has received the Cholmondeley Award and the Prudence Farmer Prize, and was joint recipient of an Alice Hunt Bartlett Award. She is currently Visiting Professor in Creative Writing at Bangor University, is a fellow of the Royal Society of Literature, and edits a weekly poem column for the Guardian, from which she has published the anthology Smart Devices: 52 Poems from The Guardian 'Poem of the Week' (Carcanet Press, 2019). Her recent books include Self into Song: Newcastle/Bloodaxe Poetry Lectures (2007), and the collections Blind Spots (2008), De Chirico’s Threads (2010) and Animal People (2016) from Seren. She has translated Russian poetry with her late partner Yuri Drobyshev, including the work of Irina Ratushinskaya in Pencil Letter (Bloodaxe Books, 1988) and Evgeny Rein in his Selected Poems (Bloodaxe Books, 2001).
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