The remarkable naturalism of John Constable's paintings has always been acknowledged, and his 'vivid and timeless' (as he called them) oil sketches have been celebrated since the 1890s as precursors of Impressionism, modernism and photographic composition. He remains a powerful influence on contemporary artists, and was famously Lucian Freud's favourite painter. He was also hailed in 1866 as the first painter whose 'art is purely and thoroughly English', and his studio oil paintings have helped to define our idea of the English countryside. Published to accompany a major V&A exhibition, this book evaluates these aspects of Constable's work, placing the artist's naturalism and studio work in the context of his wider practice - in particular his talent for copying, and extensive print collection. A companion volume to John Constable: Oil Sketches from the Victoria and Albert Museum (page6, V&A, 2011), this book shows how the artist's reverence for the Old Masters is not incompatible with his revolutionary handling of paint: where others competed with the Masters, Constable assimilated their ideas and values to imbue his own naturalistic vision with dynamism.
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Mark Evans is Senior Curator of Paintings at the V&A. He has written extensively on painting from the Renaissance to the early twentieth century and is the author of numerous books including: The Painted World: From Illumination to Abstraction (V&A, 2005), Raphael: Cartoons and Paintings for the Sistine Chapel (V&A, 2010) and John Constable: Oil Sketches from the V&A (V&A, 2011).
Criticized in his lifetime for his rough handling of paint, John Constable's (1776-1837) paintings have long defined the idea of the English countryside, its geography fully captured by his remarkable naturalism. His "vivid and timeless" oil sketches, as he called them, have been celebrated since the 1890s as precursors of Impressionism, Modernism, and photography. This major book reconciles the two defining aspects of Constable's work-his revolutionary painting techniques and his reverence for the old masters. Where other artists competed with the masters, Constable assimilated their ideas and values to imbue his own naturalistic vision with dynamism. This seeming incompatibility, placed in the context of the artist's wider practice, helps delineate why Constable remains such a powerful influence on contemporary artists.
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Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Artikel-Nr. GOR008219314
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Cloth. Zustand: Fine Condition. Zustand des Schutzumschlags: Fine Condition. 1st Edition. 224 pages. Hardcover. Texts in English. Minimal shelfwear rubbing to the dustjacket. Otherwise, the binding is tight, the edges and corners of the boards are sharp, the interior clean and free of markings. Bound in paper covered boards and wrapped in an illustrated paper dustjacket, published on the occasion of the exhibition held from September 20, 2014-January 11, 2015. Brilliantly illustrated. Mostly in color. Book. Artikel-Nr. 030312
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fester Einband. Exklusiv-Ausgabe. 223 S., mit Abbildungen, Opbd., mit OSU., Querformat, Gr. 8°, 24,5 x 28,5 x 2,5 cm, Druckstelle im Einband, leichte Gebrauchsspuren, sonst schönes, innen wie außen sauberes Exemplar, Aufgrund der EPR-Regelung kann in folgende Länder KEIN VERSAND mehr erfolgen: Bulgarien, Frankreich, Griechenland, Luxemburg, Österreich, Polen, Rumänien, Schweden, Slowakei, Spanien. Der Text folgt der historisch-kritischen Ausgabe, herausgegeben von Norbert von Hellingrath. (München 1913ff). Zum Vergleich wurde die von Friedrich Beißner herausgegebene Gesamtausgabe (Frankfurt 1961) herangezogen. Auswahl und Bearbeitung Dr. Horst Heidtmann. Sprache: DeutschU Portrait 4 1478 gr. Artikel-Nr. 16279
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First Edition. Fine cloth copy in an equally fine dust-wrapper. Particularly well-preserved overall; tight, bright, clean and especially sharp-cornered. Physical description; 223 pages ; 25 x 29 cm. Subjects; Constable, John 1776-1837 ; Exhibitions. Constable, John (English landscapist, 1776-1837) ; Exhibitions. Constable, John 1776-1837. Victoria and Albert Museum (London, England) ; Exhibitions. Painters Great Britain ; Exhibitions. Naturalism in art. Painting, British ; Exhibitions 19th century. 1 Kg. Artikel-Nr. 374112
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Hardcover. Zustand: gut. 2014. John Constable. the making of a master ; [Victoria and Albert Museum, London (20 September 2014 - 11 January 2015) ; Exhibition Constable: The Making of a Master]. In englischer Sprache. pages. Artikel-Nr. BN139856
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