Ed Atkins is one of the most influential artists of his generation. Troubled by melancholy, undermined by bathos, and tempered with humor, his works pit a weightless digital life against a corporal world of craft and touch, allegorizing profound experiences of loss, intimacy, and love
Ed Atkins is one of the most influential artists of his generation. Troubled by melancholy, undermined by bathos, and tempered with humor, his works pit a weightless digital life against a corporal world of craft and touch, allegorizing profound experiences of loss, intimacy, and love. This ambitious publication provides a radical survey of his career, assembling a wide range of paintings, writing, embroideries, and drawings alongside the moving-image works for which he is best known. Essays from leading scholars, authors, and curators, alongside previously unpublished behind-the-scenes production photographs and a curated selection of new drawings, collectively probe Atkins's practice to ask: What kind of realism is at stake here?Die Inhaltsangabe kann sich auf eine andere Ausgabe dieses Titels beziehen.
Nathan Ladd is assistant curator of contemporary art at Tate Britain. Polly Staple is director of collection, British Art at Tate Britain. Featuring additional contributions by Hal Foster, Ben Lerner, Kathryn Scanlan, and Jamie Stevens.
The first major UK exhibition and accompanying publication on contemporary artist Ed Atkins.
For over a decade, Ed Atkins has been making videos and animations that trace the dwindling gap between representation and embodied experience. Using his desires, experiences and body as a model, Atkins' works misuse contemporary technologies of representation to critically reflect what they have done to images and our sense of self.
This career-spanning exhibition will assemble paintings, writing, embroide
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