Born in New York in 1975, Taryn Simon is at the forefront of contemporary photography. Published in close collaboration with the artist, this book is the first to draw together her diverse and complex range of projects. Simon's art is based around the equal use of photography, text, and graphic design. In the work represented in this book, she combines these elements in projects that range in focus and scope from a series of examinations of the United States legal system; to a four-year examination of politics, history, and individual agency on a global scale; to works based on obscure and little-known stories and archives addressing the nature of the production and circulation of knowledge. Along with the artwork, texts by a distinguished group of authors demonstrate Simon's role as a preeminent exponent of a practice that engages equally with the modern world and the politics of representation.
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Simon Baker is curator of photography at Tate Modern.
Essays are by Salman Rushdie, Homi Bhabha, Daniel Baumann, Tim Griffin, Tina Kukielski, Hans UlrichObrist, and Elisabeth Sussman, among others.Born in New York in 1975, Taryn Simon is at the forefront of contemporary photography practice. Her artistic medium is based around three equal elements, photography, text and graphic design, which combined investigate the limitations of absolute understanding, examining the gaps between each element and how this can lead to disorientation and ambiguity.
In the last ten years she has created a suite of projects which deal with a number of theoretical and visual concerns. Her formal interest in arrangement and cataloguing has seen her experiment with different methods of presentation and display, particularly in A Living Man Declared Dead and Other Chapters (2008-11) in which she travelled around the world researching bloodlines: splitting up each work in the final piece into three segments, she presented large portrait sequences of related individuals on the left, a text panel containing details and narratives in the centre, and 'footnote images' on the right of fragmented pieces of established narratives and other photographic evidence.
Born in New York in 1975, Taryn Simon is at the forefront of contemporary photography practice. Her artistic medium is based around three equal elements, photography, text and graphic design, which combined investigate the limitations of absolute understanding, examining the gaps between each element and how this can lead to disorientation and ambiguity.
In the last ten years she has created a suite of projects which deal with a number of theoretical and visual concerns. Her formal interest in arrangement and cataloguing has seen her experiment with different methods of presentation and display, particularly in A Living Man Declared Dead and Other Chapters (2008-11) in which she travelled around the world researching bloodlines: splitting up each work in the final piece into three segments, she presented large portrait sequences of related individuals on the left, a text panel containing details and narratives in the centre, and 'footnote images' on the right of fragmented pieces of established narratives and other photographic evidence. Simon has also skilfully and poetically tackled aspects of the underbelly of American life. Her 2009 project, Contraband, saw her systematically photograph thousands of items received through customs and the international postal service at JFK airport, categorising them into often grotesque and bizarre groupings. Published in close collaboration with the artist, this brand-new book will provide a complete overview of her practice to date. With new and re-published essays by amongst others Salman Rushdie, Homi Bhabha, Daniel Baumann, Tim Griffin, Tina Kuklieski, Hans Ulrich Obrist and Elisabeth Sussman. With an introduction by Simon Baker, Curator of Photography at Tate Modern.
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