How Does It Feel?: Making Sense of Pain - Softcover

 
9781848880504: How Does It Feel?: Making Sense of Pain

Inhaltsangabe

This volume represents a multi-disciplinary investigation of the puzzle of pain. The concept of pain is immensely broad, encompassing psychological, physical and existential suffering; it enters into many areas of personal life and can acquire deep personal meanings and be expressed in a myriad of ways. At the same time, the ways in which we think of pain are influenced by collective understandings which are historically situated, embedded as they are, at any given time, in mutual engagements that result from shared stories of suffering. Pain both challenges and changes attention, and daily life must be adapted to accommodate it. The communication of pain is a complex nested relationship where a great deal can be at stake; therefore meanings are constructed, often in order that the dread of uncertainty may be bypassed. In this process, the actual nature of the pain and the attendant suffering are often obscured. The body of scholarly work presented in this volume has contributed to our understanding of pain-in-context through incisive studies of a variety of exigencies of life where pain and suffering occur, and where personal and collective suffering are intertwined. Our pervasive anxiety about suffering is grounded in its enormous complexity and in the intricate connections that exist between the vicissitudes of pain and our responses to it. Pain is ambiguous, sometimes even mysterious; it is anxiety-provoking and disruptive, and yet we can also learn from it. Sadly, we inflict it, too, intentionally or in the course of actions directed toward other aims. The contributors to this volume address a variety of these intricate issues, though not always in a conclusive way. Pain remains enigmatic, elusive and endlessly fascinating, just like human existence itself.

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Über die Autorin bzw. den Autor

Hans T Sternudd, PhD, is an Art Historian currently working as a Senior Lecturer in Art History and Visual Studies, at Linnaus University, in Vaxjo - Sweden. His doctoral dissertation addressed the work of the Austrian artist Hermann Nitsch, focusing on the question of performance and action art in general. He is presently working on a research project on visual representations of self-injury, supported by the Swedish Research Council. This is a Gender Studies project in a section of Global Political Science, in the Faculty of Culture and Society at Malmo University, in Sweden. Angela Tumini is currently an Assistant Professor of Italian Studies at Chapman University in California, presently undergoing the process of Tenure & Promotion to the rank of Associate Professor. She received a PhD in Italian Literature at the University of Oxford, England, and has published a book and several articles on Gabriele D'Annunzio, on Italian Literature, and on European Cinema. She has just completed a book entitled "An Unintentional Liaison: Lars von Trier and Italian Cinema and Culture" which is expected to come out in Spring 2011.

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