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Inhaltsangabe
Will I ever see my home again? I do not know.
Will I ever see my father again? I do not know.
Will life ever be the same again? I do not know.
Katie and Tariro are worlds apart but their lives are linked by a terrible secret, gradually revealed in this compelling and dramatic story of two girls grappling with the complexities of adolescence, family and a painful colonial legacy.
14-year-old Tariro loves her ancestral home, the baobab tree she was born beneath, her loving family - and brave, handsome Nhamo. She couldn't be happier. But then the white settlers arrive, and everything changes - suddenly, violently, and tragically.
Thirty-five years later, 14-year-old Katie loves her doting father, her exclusive boarding school, and her farm with its baobab tree in rural Zimbabwe. Life is great. Until disaster strikes, and the family are forced to leave everything and escape to cold, rainy London.
Atmospheric, gripping and epic in scope, Far from Home brings the turbulent history of Zimbabwe to vivid, tangible life.
Visit the special Far From Home website at
www.far-from-home.com
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Über die Autorin bzw. den Autor
NA'IMA B ROBERT is descended from Scottish Highlanders on her father's side and the Zulu people on her mother's side. She was born in Leeds, grew up in Zimbabwe and went to university in London. At high school, her loves included performing arts, public speaking and writing stories that shocked her teachers! She has written several multicultural books for children and is the author of 'From Somalia, with love', a novel for young adults. 'Boy vs Girl' is her second books for teens. She divides her time between London and Cairo and dreams of living on a farm with her own horses. Until then, she is happy to be a mum to her four children and keep reading and writing books that take her to a different world each time.
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Part 1
Rhodesia, 1976
Tariro
They killed Farai today. Killed him and stripped him, mutilating him so that even his own father would not recognise him. Then they took him to the nearest Protected Village and forced the villagers to come and look at his broken, bleeding body.
"Look!" the white soldiers told the villagers who stood there, trying to avert their eyes, trying to block out the stench and the deafening buzz of the flies, murmuring silent prayers. "This is how the so-called 'freedom fighters' punish those who do not do as they say. And they will do this to you if you allow them to camp here, if you feed them, if you don't tell us when they are coming. We are here to protect peace-loving people like you from these terrorists. Choose peace, not death."
It could so easily have been me. Farai and I were fighting the same war, fighting for the same dream: to take back the land. To go home again.
I miss my home, even now, years after we first left. When I close my eyes, I can still see everything clearly, etched forever in my mind. The circular, mud house with the thatched roof where I used to sleep; the great tree in the middle of the homestead where Sekuru used to tell us stories of children taken away by witches, riding on the backs of hyenas; the fields of maize and the herds of sharp-horned cattle; the granite-topped mountains; the upside-down baobab tree; the endless sky, heavy with hopeful clouds at the start of the rainy season.
There is no time to look for rain-clouds here. There is no point. Now we live to die, not to sow seeds and help cows give birth to calves that will one day pay roora, bride wealth, for daughters yet to come. Now my home is the bush and my family is my comrades. We, the freedom fighters.
My bed changes every night as we follow the signs left for us by the savannah. Some days nothing happens, other days, like today, blood is spilled and my heart cannot stop flooding with terror. But I am strong, like my mother, and I cry my tears on the inside. I will mourn my brother, Farai, on the inside.
Will I ever see my home again? I do not know.
Will I ever see my father again? I do not know.
Will life ever be the same again? I do not know.
But it comforts me, comforts me and pains me, to think of how it came to this, how I came to call the bush my home.
So I will think of it now; I will remember everything that happened and try to comfort myself. And ease the pain of exile under this unfamiliar sky.
Rhodesia, 1964
The baobab's daughter
Many, many years ago, my forefathers came to this place, this place the whites now call Fort Victoria. They liked what they saw: the vast lands, the abundant trees, enough to build many homesteads, and the rains that came like a welcome visitor every year.
'This is a good place,' they thought. 'This is a place to put down roots.'
So they did. They cut down trees to clear the grass for fields, fields of maize and beans and peanuts, and grazing for cattle. They cut the trees into many pieces and used them to build: homes for their families, homes for their cattle, homes for their dreams of a harvest to come.
This is the land our ancestors left for us. This is how we came to call this land our home.
I am Tariro, daughter of the soil. My people are the Karanga people, our totem is mhondoro, the lion, and, in the year I turned fourteen, my father was the chief of our people.
My mother, Amai, loved to tell me about when I was born.
"Tariro, mwanangu, my child," she would begin, smiling. "I will always remember the day of your birth. It was the final days of my third pregnancy. I walk
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