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Translation and Opposition (Translating Europe, Band 4) - Hardcover

Buch 2 von 4: Translating Europe
 
9781847694317: Translation and Opposition (Translating Europe, Band 4)

Inhaltsangabe

Translation and Opposition is an edited volume that brings together cultural and sociological perspectives by examining translation through the prism of linguistic/cultural hybridity and inter/intra-social agency. In a collection of diverse case studies, ranging from the translation of political texts to interpreting in concentration camps, the book explores issues of power struggle, ideology, censorship and identity construction. The contributors to the volume show how translators, interpreters and subtitlers as mediators put their specific professional and ethical competences to the test by treading the dividing lines between constellations of 'in-groups' and cultural or political 'others'.

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Über die Autorin bzw. den Autor

Dimitris Asimakoulas is the Programme Director for the MA in Audiovisual Translation and the MA in Translation Studies with Intercultural Communication at the Centre for Translation Studies at the University of Surrey. He has published in leading translation journals, focusing on sociological approaches to translation. He is a member of the editorial board for New Voices in Translation.

Margaret Rogers is Professor of Translation and Terminology Studies and Director of the Centre for Translation Studies at the University of Surrey. She initiated the Terminology Network in the Institute of Translation and Interpreting, UK, and is a founder member of the Association of Terminology and Lexicography. She is a member of the Advisory Boards of Terminology, LSP and Professional Communication and Fachsprache as well as being a member of the Executive Board of the International Institute for Terminology Research.

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Translation and Opposition

By Dimitris Asimakoulas, Margaret Rogers

Multilingual Matters

Copyright © 2011 Dimitris Asimakoulas, Margaret Rogers and the authors of individual chapters
All rights reserved.
ISBN: 978-1-84769-431-7

Contents

Contributors,
1 Systems and the Boundaries of Agency: Translation as a Site of Opposition D. Asimakoulas,
Part 1: Rewritings,
2 How Ibsen Travels from Europe to China: Ibsenism from Archer, Shaw to Hu Shi W. Zhao,
3 Rewriting, Culture Planning and Resistance in the Turkish Folk Tale S.T. Gürçaglar,
4 Where Have All the Tyrants Gone? Romanticist Persians for Royals, Athens 1889 G. Van Steen,
5 Oppositional Effects: (Mis) Translating Empire in Modern Russian Literature B.J. Baer,
6 The Translator's Opposition: Just One More Act of Reporting E.E. Davies,
Part 2: Dispositions and Enunciations of Identity,
7 A Queer Glaswegian Voice D. Kinloch,
8 Translating 'the shadow class [...] condemned to movement' and the Very Otherness of the Other: Latife Tekin as Author–Translator of Swords of Ice S. Paker,
9 Translation and Opposition in Italian-Canadian Writing. Nino Ricci's Trilogy and its Italian Translation M. Baldo,
10 Croker versus Montalembert on the Political Future of England: Towards a Theory of Antipathetic Translation C. O'Sullivan,
11 Translation as a Means of Ideological Struggle C. Delistathi,
12 'You say nothing; I will interpret': Interpreting in the Auschwitz-Birkenau Concentration Camp M. Tryuk,
Part 3: Socio-cultural Gates and Gate-keeping,
13 Dialectics of Opposition and Construction: Translation in the Basque Country I. Uribarri Zenekorta,
14 The Translation of Sexually Explicit Language: Almudena Grandes' Las edades de Lulú (1989) in English J. Santaemilia,
15 Serbo-Croatian: Translating the Non-identical Twins T.Z. Longinovic,
16 Translation as a Threat to Fascism C. Rundle,
17 Censors and Censorship Boards in Franco's Spain (1950s–1960s): An Overview Based on the TRACE Cinema Catalogue C. Gutiérrez Lanza,
Index,


CHAPTER 1

Systems and the Boundaries of Agency: Translation as a Site of Opposition

D. ASIMAKOULAS


Introduction

In December 2008 Athens became the centre of widespread protest, rioting and vandalism. With these dramatic events a motley crowd of angry youths, anarchists, anti-capitalist and anti-state groups, disenfranchised immigrants and politicized citizens in general shocked public opinion for the second time that month. The first poignant pang of shock arose with the event that triggered this unrest just after 9 am on 6 December 2008: after a verbal altercation with a group of young people in the restive Exarchia area in Athens, a policeman adopted a 'shoot-to-kill' approach when he randomly encountered a different group of youths, resulting in the death of Alexis Gregoropoulos, an unarmed 15-year-old high school pupil. Within hours, protest activities spiralled out of control in Athens, and over the next few days in every major Greek city. The source of such collective action can be traced back to pent-up discontent vis-à-vis crippling neoliberal policies, high-visibility financial scandals, widespread corruption, the lack of reform in 'free' public education (which actually comes with exorbitant costs), ideological splits, a very high unemployment rate among young people and 'party heteronomy' on all levels of life (see Mouzelis, 2009). More than 25 internet groups were formed immediately after Alexis' death, expressing reactions to the event, uploading reports 'from the ground', images and videos, while simultaneously coordinating action (Antoniade, 2010). Indeed, the orchestrated actions of this wave of acute resentment and the speed with which they rippled through the country can be attributed to the use of new technologies among young people: text messaging, (video) blogging, and other internet applications, such as YouTube. These were acts of 'political swarming' (Rheingold, 2002: 161–162), where ad hoc alliances, knowledge pooling about police movements and action alignment became possible through the use of mobile technologies. The uncannily concerted efforts of these 'smart mobs' left the older generation perplexed, muttering about conspiracy theories of various kinds.

Interestingly, and from an intersemiotic translation (Jakobson, 1959/2000) perspective, the December riots and Gregoropoulos' death are currently being refashioned into a forthcoming film by director Gerasimos Regas; this technique recalls such animated films as Persepolis (2007) and Waltz with Bashir (2008), both capturing political conflicts and conflicted identities in other contexts. Two years after December 2008, the stories of dramatic events surrounding the riots continue to be rewritten, all against the backdrop of the recent trials of the perpetrators. At the time of the riots, however, accounts varied considerably, given the general confusion. The mass media struggled to keep up with the overload of information while simultaneously trying to offer their own analyses and evaluations of events. Mainstream television channels were unable to confirm immediately what had happened; the murder was first reported on the website of Indymedia Athens and a clearer image of the timeline then emerged. On 10 December 2008, the Eleftheros Typos broadsheet newspaper highlighted the gravity of the situation by using an outsize-font, black-background cover page which featured a translation. This translation 'had appeared' on the internet, in mailing lists and on blogs a few days earlier. The Eleftheros Typos cover text, which is an anonymously sourced translation of a quote by Isocrates into Modern Greek, is shown in Figure 1.1.

The text was subsequently commented upon on the personal website of Nikos Sarantakos and in the IOS newspaper insert of the Sunday Eleftherotypia newspaper (20 December 2008). With over 90,000 hits, according to IOS, the 'mutated' quote constitutes a locus communis; until the time of the riots, it had been variously used by the Deputy Minister for Education (G. Anthopoulos), a university dean (I. Gryspolakis), regional political party organizations, Hellenic–American associations, authors of 'letters to the editor' and bloggers (IOS, 2008: online). Sarantakos, a Greek polymath with degrees in Chemical Engineering and English Studies, is a published linguist/author and a seasoned translator (working for the European Parliament), as well as an active blogger. On his website, he promptly noted that the front page text did not exactly match the original ancient Greek text. A close back-translation of the Eleftheros Typos version into English follows (bold lettering indicates the use of a larger font size in the title, as seen above in Figure 1.1):

Our democracy is self-destructing, because it abused the rights of freedom and equality, because it taught citizens to consider impertinence as a right, lawlessness as freedom, insolence in speech as equality and anarchy as happiness. (Isocrates 436–338 BC (my translation))


With the front page text, the editors captured what many saw as an orgy of destruction of public property, with banks, state-owned buildings, state universities, libraries, national theatres and shops being the primary targets of the vandals. The philological prowess of editors is not the only motivation for affording a translated text such...

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