Images contain information about the spatial properties of the scene they depict. When coupled with suitable assumptions, images can be used to infer thr- dimensional information. For instance, if the scene contains objects made with homogeneous material, such as marble, variations in image intensity can be - sociated with variations in shape, and hence the “shading” in the image can be exploited to infer the “shape” of the scene (shape from shading). Similarly, if the scene contains (statistically) regular structures, variations in image intensity can be used to infer shape (shape from textures). Shading, texture, cast shadows, - cluding boundaries are all “cues” that can be exploited to infer spatial properties of the scene from a single image, when the underlying assumptions are sat- ?ed. In addition, one can obtain spatial cues from multiple images of the same scene taken with changing conditions. For instance, changes in the image due to a moving light source are used in “photometric stereo,” changes in the image due to changes in the position of the cameras are used in “stereo,” “structure from motion,” and “motion blur. ” Finally, changes in the image due to changes in the geometry of the camera are used in “shape from defocus. ” In this book, we will concentrate on the latter two approaches, motion blur and defocus, which are referred to collectively as “accommodation cues.
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Charlotte y Peter Fiell son dos autoridades en historia, teoría y crítica del diseño y han escrito más de sesenta libros sobre la materia, muchos de los cuales se han convertido en éxitos de ventas. También han impartido conferencias y cursos como profesores invitados, han comisariado exposiciones y asesorado a fabricantes, museos, salas de subastas y grandes coleccionistas privados de todo el mundo. Los Fiell han escrito numerosos libros para TASCHEN, entre los que se incluyen 1000 Chairs, Diseño del siglo XX, El diseño industrial de la A a la Z, Scandinavian Design y Diseño del siglo XXI.
Images contain information about the spatial properties of the scene they depict. When coupled with suitable assumptions, images can be used to infer three-dimensional information. This useful volume concentrates on motion blur and defocus, which can be exploited to infer the 3-D structure of a scene as well as its radiance properties and which in turn can be used to generate novel images with better quality.
3-D Shape Estimation and Image Restoration presents a coherent framework for the analysis and design of algorithms to estimate 3-D shape from defocused and motion blurred images, and to eliminate defocus and motion blur to yield "restored" images. It provides a collection of algorithms that are optimal with respect to the chosen model and estimation criterion.
Topics and Features include:
Comprehensive introduction to guide readers through the different areas of the topic
Basic models of image formation
Discussion of least-squares shape from defocus
Unifying defocus and motion blur
Handling multiple moving objects
Dealing with occlusions
Appendices supply the necessary background in optimization and regularization
www.eps.hw.ac.uk/~pf21/FavaroSoattoBook/downloads contains implementations of relevant algorithms, test data and demos.
Written for readers with interests in image processing and computer vision and with backgrounds in engineering, science or mathematics, this highly practical text/reference is accessible to advanced students or those with a degree that includes basic linear algebra and calculus courses. It can also be seen as a resource for practitioners looking to expand their knowledge in the subject.
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Buch. Zustand: Neu. Neuware -Images contain information about the spatial properties of the scene they depict. When coupled with suitable assumptions, images can be used to infer thr- dimensional information. For instance, if the scene contains objects made with homogeneous material, such as marble, variations in image intensity can be - sociated with variations in shape, and hence the ¿shading¿ in the image can be exploited to infer the ¿shape¿ of the scene (shape from shading). Similarly, if the scene contains (statistically) regular structures, variations in image intensity can be used to infer shape (shape from textures). Shading, texture, cast shadows, - cluding boundaries are all ¿cues¿ that can be exploited to infer spatial properties of the scene from a single image, when the underlying assumptions are sat- ed. In addition, one can obtain spatial cues from multiple images of the same scene taken with changing conditions. For instance, changes in the image due to a moving light source are used in ¿photometric stereo,¿ changes in the image due to changes in the position of the cameras are used in ¿stereo,¿ ¿structure from motion,¿ and ¿motion blur. ¿ Finally, changes in the image due to changes in the geometry of the camera are used in ¿shape from defocus. ¿ In this book, we will concentrate on the latter two approaches, motion blur and defocus, which are referred to collectively as ¿accommodation cues.Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg 264 pp. Englisch. Artikel-Nr. 9781846281761
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Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Images contain information about the spatial properties of the scene they depict. When coupled with suitable assumptions, images can be used to infer thr- dimensional information. For instance, if the scene contains objects made with homogeneous material, such as marble, variations in image intensity can be - sociated with variations in shape, and hence the 'shading' in the image can be exploited to infer the 'shape' of the scene (shape from shading). Similarly, if the scene contains (statistically) regular structures, variations in image intensity can be used to infer shape (shape from textures). Shading, texture, cast shadows, - cluding boundaries are all 'cues' that can be exploited to infer spatial properties of the scene from a single image, when the underlying assumptions are sat- ed. In addition, one can obtain spatial cues from multiple images of the same scene taken with changing conditions. For instance, changes in the image due to a moving light source are used in 'photometric stereo,' changes in the image due to changes in the position of the cameras are used in 'stereo,' 'structure from motion,' and 'motion blur. ' Finally, changes in the image due to changes in the geometry of the camera are used in 'shape from defocus. ' In this book, we will concentrate on the latter two approaches, motion blur and defocus, which are referred to collectively as 'accommodation cues. Artikel-Nr. 9781846281761
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