The small, lightweight, 35mm cameras that were available by the time of the Second World War revolutionised war photography. Unencumbered by heavy equipment, including tripods and photographic plates, the photographer could now get much closer to the action and respond instinctively to changing situations, shooting a series of pictures on a single film. Although their smaller format meant that technically the images were usually less sharp and more grainy, this tonal harshness gave the pictures a gritty realism and immediacy. And with the easing of censorship, the photographers were able to publish unflinching images of conflict and the catastrophic consequences of war as never before. From a naval point of view, developments in submarine and aircraft carrier technology completely changed how a war would be fought at sea. Navies of the protagonists were expected to provide many support services, from the protection of convoys to the landing of troops on hostile shores, which literally enabled the war to go global. 'Conway's War at Sea' describes the Second World War through the chronology of naval events. Chapters are organised by year, with a concise introduction followed by pages of photographs, each accompanied by an informative caption. They include the work of photojournalists on assignment and specialist naval photographers attached to a particular unit or ship, who captured the confusion of a sinking vessel or the moment of impact of a kamikaze attack. Often grainy, blurred, damaged, these intense images are balanced by the more organised, framed shots of naval personnel in training, in preparation for battle, and planning operations in shore bases, as well as dockyard workers and harbour facilities. From the scuttling of the Graf Spee and the Channel Dash of the Scharnhorst and Gneisenau, to the Operations Room at Western Approaches, and the US Marines wading ashore at Iwo Jima; from the amateur photography of a serviceman on board a destroyer to Robert Capa's images of the mayhem on Omaha Beach, this collection is a moving and informative addition to the library of anyone interested in the Second World War.
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Stuart Robertson is a former staff editor at Conway. He is a co-author of Conway's The War at Sea and compiled The Pirate's Pocket-Book.
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Anbieter: Reuseabook, Gloucester, GLOS, Vereinigtes Königreich
Hardcover. Zustand: Used; Good. Dispatched, from the UK, within 48 hours of ordering. This book is in good condition but will show signs of previous ownership. Please expect some creasing to the spine and/or minor damage to the cover. Artikel-Nr. CHL2222677
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Anbieter: Vintagestan Books, Waltham, LINCS, Vereinigtes Königreich
Hardcover. Zustand: Good. Zustand des Schutzumschlags: Good. VINTAGESTAN BOOKS Title: Conways The War at Sea in Photographs 1939 to 1945 Author: Stuart Robertson and Stephen Dent Publisher: Conway Year Published: 2007 Edition: Original Dimensions: 30cm x 25.5cm Binding type: Hardcover ISBN: 9781844860456 Notes: SKU: VSS / 093 / G / 2145 / 1296 / C Condition Dust Jacket Condition: Good. Rubbing, wear, creasing, tears, handling marks, marks Book condition: Good. Rubbing, handling marks, marks Binding: Intact Pages: 240 pages. Artikel-Nr. 001296
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Anbieter: Ground Zero Books, Ltd., Silver Spring, MD, USA
Hardcover. Zustand: Very good. Zustand des Schutzumschlags: Very good. Second printing [stated]. 240 pages. Oversized book, measuring 12 inches by 10 inches. Minor sticker residue at back. Profusely illustrated with more than two-hundred black and white and some color photographs. Acknowledgments. Introduction. Picture Credits. Bibliography. Index. Stuart Robertson is a former staff editor for Conway Maritime Ltd. with a postgraduate degree from the Centre for Maritime Historical Studies at the University of Exeter. Books by Stuart Robertson include Conway's the War at Sea in Photographs, 1939-1945. Stephen Dent is the assistant editor of Conway's Warship annual. He also edited Conway's The War At Sea. The small, lightweight, 35mm cameras that were available by the time of the Second World War revolutionized war photography. Unencumbered by heavy equipment, including tripods and photographic plates, the photographer could now get much closer to the action and respond instinctively to changing situations, shooting a series of pictures on a single film. Although their smaller format meant that technically the images were usually less sharp and more grainy, this tonal harshness gave the pictures a gritty realism and immediacy. And with the easing of censorship, the photographers were able to publish unflinching images of conflict and the catastrophic consequences of war as never before. From a naval point of view, developments in submarine and aircraft carrier technology completely changed how a war would be fought at sea. Artikel-Nr. 79919
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