The small, lightweight, 35mm cameras that were available by the time of the Second World War revolutionised war photography. Unencumbered by heavy equipment, including tripods and photographic plates, the photographer could now get much closer to the action and respond instinctively to changing situations, shooting a series of pictures on a single film. Although their smaller format meant that technically the images were usually grainier and less sharp, this tonal harshness gave the pictures a gritty realism and immediacy. And with the easing of censorship, the photographers were able to publish unflinching images of conflict and the catastrophic consequences of war as never before. From a naval point of view, developments in submarine and aircraft carrier technology completely changed how a war would be fought at sea. Navies of the protagonists were expected to provide many support services, from the protection of convoys to the landing of troops on hostile shores, which literally enabled the war to go global.
Conway's The War at Sea in Photographs describes the Second World War through the chronology of naval events. Chapters are organised by year, with a concise introduction followed by pages of photographs, each accompanied by an informative caption. They include the work of photojournalists on assignment and specialist naval photographers attached to a particular unit or ship, who captured the confusion of a sinking vessel or the moment of impact of a kamikaze attack. Often grainy, blurred, damaged, these intense images are balanced by the more organised, framed shots of naval personnel in training, in preparation for battle, and planning operations in shore bases, as well as dockyard workers and harbour facilities. From the scuttling of the Graf Spee and the Channel Dash of the Scharnhorst and Gneisenau, to the Operations Room at Western Approaches, and the US Marines wading ashore at Iwo Jima; from the amateur photography of a serviceman on board a destroyer to Robert Capa's images of the mayhem on Omaha Beach, this collection is a moving and informative addition to the library of anyone interested in the Second World War.
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Stuart Robertson is a former staff editor at Conway. He is a co-author of Conway's The War at Sea and compiled The Pirate's Pocket-Book.
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Anbieter: AwesomeBooks, Wallingford, Vereinigtes Königreich
Zustand: Very Good. This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. . Artikel-Nr. 7719-9781844860456
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Anbieter: Better World Books Ltd, Dunfermline, Vereinigtes Königreich
Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Artikel-Nr. GRP62283492
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Zustand: Very Good. 1784205872. 7/16/2026 12:44:32 PM. Artikel-Nr. U9781844860456
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Anbieter: WorldofBooks, Goring-By-Sea, WS, Vereinigtes Königreich
Paperback. Zustand: Very Good. The small, lightweight, 35mm cameras that were available by the time of the Second World War revolutionised war photography. Unencumbered by heavy equipment, including tripods and photographic plates, the photographer could now get much closer to the action and respond instinctively to changing situations, shooting a series of pictures on a single film. Although their smaller format meant that technically the images were usually less sharp and more grainy, this tonal harshness gave the pictures a gritty realism and immediacy. And with the easing of censorship, the photographers were able to publish unflinching images of conflict and the catastrophic consequences of war as never before. From a naval point of view, developments in submarine and aircraft carrier technology completely changed how a war would be fought at sea. Navies of the protagonists were expected to provide many support services, from the protection of convoys to the landing of troops on hostile shores, which literally enabled the war to go global. 'Conway's War at Sea' describes the Second World War through the chronology of naval events. Chapters are organised by year, with a concise introduction followed by pages of photographs, each accompanied by an informative caption. They include the work of photojournalists on assignment and specialist naval photographers attached to a particular unit or ship, who captured the confusion of a sinking vessel or the moment of impact of a kamikaze attack. Often grainy, blurred, damaged, these intense images are balanced by the more organised, framed shots of naval personnel in training, in preparation for battle, and planning operations in shore bases, as well as dockyard workers and harbour facilities. From the scuttling of the Graf Spee and the Channel Dash of the Scharnhorst and Gneisenau, to the Operations Room at Western Approaches, and the US Marines wading ashore at Iwo Jima; from the amateur photography of a serviceman on board a destroyer to Robert Capa's images of the mayhem on Omaha Beach, this collection is a moving and informative addition to the library of anyone interested in the Second World War. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Artikel-Nr. GOR002394577
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Anbieter: Bahamut Media, Reading, Vereinigtes Königreich
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Anbieter: All Lost Books, Wollaston, Vereinigtes Königreich
Hardcover. Zustand: Good. Zustand des Schutzumschlags: Very Good. 1st Edition. Includes numerous b/w photographs and maps. 240pp. Roll to spine of 0.25cm. Artikel-Nr. 52123
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Anbieter: Vintagestan Books, Waltham, LINCS, Vereinigtes Königreich
Hardcover. Zustand: Good. Zustand des Schutzumschlags: Good. VINTAGESTAN BOOKS Title: Conways The War at Sea in Photographs 1939 to 1945 Author: Stuart Robertson and Stephen Dent Publisher: Conway Year Published: 2007 Edition: Original Dimensions: 30cm x 25.5cm Binding type: Hardcover ISBN: 9781844860456 Notes: SKU: VSS / 093 / G / 2145 / 1296 / C Condition Dust Jacket Condition: Good. Rubbing, wear, creasing, tears, handling marks, marks Book condition: Good. Rubbing, handling marks, marks Binding: Intact Pages: 240 pages. Artikel-Nr. 001296
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Anbieter: All Lost Books, Wollaston, Vereinigtes Königreich
Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Good. 1st Edition. Includes numerous b/w photographs. 240pp. Two nicks to upper front DJ edge. Upper front DJ edge a little crimped. Artikel-Nr. 52565
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Anbieter: Ground Zero Books, Ltd., Silver Spring, MD, USA
Hardcover. Zustand: Very good. Zustand des Schutzumschlags: Very good. Second printing [stated]. 240 pages. Oversized book, measuring 12 inches by 10 inches. Minor sticker residue at back. Profusely illustrated with more than two-hundred black and white and some color photographs. Acknowledgments. Introduction. Picture Credits. Bibliography. Index. Stuart Robertson is a former staff editor for Conway Maritime Ltd. with a postgraduate degree from the Centre for Maritime Historical Studies at the University of Exeter. Books by Stuart Robertson include Conway's the War at Sea in Photographs, 1939-1945. Stephen Dent is the assistant editor of Conway's Warship annual. He also edited Conway's The War At Sea. The small, lightweight, 35mm cameras that were available by the time of the Second World War revolutionized war photography. Unencumbered by heavy equipment, including tripods and photographic plates, the photographer could now get much closer to the action and respond instinctively to changing situations, shooting a series of pictures on a single film. Although their smaller format meant that technically the images were usually less sharp and more grainy, this tonal harshness gave the pictures a gritty realism and immediacy. And with the easing of censorship, the photographers were able to publish unflinching images of conflict and the catastrophic consequences of war as never before. From a naval point of view, developments in submarine and aircraft carrier technology completely changed how a war would be fought at sea. Artikel-Nr. 79919
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