Native Writers Circle Of The Americas First Book Award For Poetry These poems rise from the smoke of a Council Fire. Around the fire gather many nations of the world, some angry, some at peace. The nations’ emissaries accept invitations to stand together at the Fork-in-the-Road Indian Poetry Store and turn rhythmically to the four cardinal directions, so that the earth can regain its balance. Facing East, the ambassadors see Flags of Mercy hanging over New York City and Nagasaki, then encounter and embrace a manic-depressive Native Hawaiian-Cherokee medicine man in Oklahoma City. Traveling closer to the moon and stars they fly with a dreamer in the Garden of the Bumblebees, and they listen in Weleetka, Oklahoma, to the last two living speakers of Yuchi. Turning North, the councilors ice skate with post-Vietnam revolutionaries on glacier lakes in Idaho. They chase grouse in snow two feet deep, ponder dormancy in hyphenated winters and university libraries, and learn the best way to build a fall fire. Facing West, they lie on cool, creek bed vulvas of earth in sweltering Great Plains summer, navigate a wilderness river in canoes, and kiss a lover at dawn in the Chihuahan desert. Finally, turning in the divine direction South, the emissaries hear The Story of The Seeds, a journey back to 1540, to the conquest of Mabila by De Soto. In a stream of survival, they emigrate with Choctaws on trails of tears from Mississippi to Oklahoma, before sharing big ripe melons in the delta of the Vegetable River. They finish their revolution facing east again, just before dawn.
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Phillip Carroll Morgan is an enrolled Choctaw/Chickasaw bi-lingual poet who has enjoyed a 25-year artistic collaboration with his painter-sculptor wife, Kate Arnott Morgan. This collaboration has seen the birth of three children, as well as the production of The Fork-in-the-Road Indian Poetry Store, which won the 2002 Native Writers Circle of the Americas First Book Award for Poetry. He has worked as a newspaper editor, business executive, building tradesman, guitar player, and rancher. He is currently a PhD student in Native Literature at the University of Oklahoma.
Earth Life
got a little summer breeze heater
in the tool room of the barn
that my apprentice and i built last fall
got a salvaged slightly-cupped
age-weathered
extra-wide
pine board for a writing table
where i struggle
to round off the edges
of these words which cling
to the paper
like sticktight burrs to my socks
table rests
in pale winter light
channeled through the window
salvaged from an wooden hangar
they tore down at an airfield
on the endwall of the small room
the comforting durable old piano
i searched for
and found
at the countryside junk store
looks over my shoulder
like a shadowing grade school mother
the window opens onto
an old growth prairie oak forest
contrasted this bloodless january day
by a carpet of fine snow
grasses look flash frozen
where their stiff gray-blonde stems
protrude through the powder
like the bristling yellow hair of an ancient
i yearn for winter to cry out
but nothing is profound today
just cold
the statuesque cows
the silent birds
i had to cut some extra firewood
standing on plywood to keep my feet dry
put on two pair of long underwear
inspired by eight degrees and a north wind
a hot water pipe froze at the kitchen sink
i’m happy that my homespun
house does not strive toward
an illusion of perfection
happy that i cannot ignore the weather
i enjoy gathering fuel for heat
from hoary wise deadfall
in this crosstimbers grove
or immature greenwood
that complains alongside the road
when the utility people cut trees
in the right-of-way
i like having to do
a combination of things right
to keep my well water from freezing
it’s a colorless day
argued with the wife
for no particular reason
early winter stress spent the whole day
in the house together yesterday
i love this life
life on planet earth
i hated planet metro and planet automatic
no struggle
no reward for struggling there
only a monotonous sense of uniformity
no beginnings no endings no triumphs
no natural catastrophes no entertainment
only perversion and stimulation
this earth life is my road
it’s unpredictable
there’s no map
no hocus pocus suggestion
that i am almighty
because i’m the only one
who has ever lived my life
i must travel the trail expectantly
it comes off trite to say
that even dullness is perfect
the excellence and symmetry of
winter and dormancy
are hard things to express
like the beauty of sleep
or the beauty of death
but any lesser view of cycle and rhythm
seems childish
foolish even
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Zustand: New. The Fork-in-the-Road Indian Poetry Store is the award-winning collection of Choctaw/Chickasaw poet, Phillip Carroll Morgan. The poems range across physical and spiritual geographies of the indidgenous Americas, translating ancient mythos into contemporary p. Artikel-Nr. 448367102
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