Went the Day Well? is one of the most unusual pictures Ealing Studios produced,
a distinctly unsentimental war film made in the darkest days of World War II,
and nothing like the loveable comedies that later became the Ealing trademark.
Its clear-eyed view of the potential for violence lurking just below the surface
in a quiet English village possibly owes something to the Graham Greene story
on which it is based, though, as Penelope Houston shows, there remains a
mystery about the extent to which Greene was actually involved in the scripting.
Or perhaps the direction by the Brazilian born Cavalcanti, a maverick within the
Ealing coterie, is the chief reason why Went the Day Well? avoids the cosy feel of
later, more familiar, Ealing films.
In his foreword to this special edition, published to celebrate the 20th
anniversary of the BFI Film Classics series, Geoff Brown pays homage to
Penelope Houston's astute study, and places the book in the context of Went the
Day Well?'s changing critical reception. Brown discusses the non-English
qualities of the film's narrative, and the extent to which Cavalcanti brought a
foreign sensibility to its very English setting.
Die Inhaltsangabe kann sich auf eine andere Ausgabe dieses Titels beziehen.
PENELOPE HOUSTON was a British film critic and journal editor. She was oneof the founders of the film journal Sequence, edited Sight & Sound, and was a regular contributor to the Monthly Film Bulletin. She was also a film critic for The Spectator, deputised as critic for The Times, wrote for numerous newspapers and magazines, and was the author of The Contemporary Cinema (1963) and Keepers of the Frame: Film Archives (1994).
Went the Day Well? is one of the most unusual pictures Ealing Studios produced,
a distinctly unsentimental war film made in the darkest days of World War II,
and nothing like the loveable comedies that later became the Ealing trademark.
Its clear-eyed view of the potential for violence lurking just below the surface
in a quiet English village possibly owes something to the Graham Greene story
on which it is based, though, as Penelope Houston shows, there remains a
mystery about the extent to which Greene was actually involved in the scripting.
Or perhaps the direction by the Brazilian born Cavalcanti, a maverick within the
Ealing coterie, is the chief reason why Went the Day Well? avoids the cosy feel of
later, more familiar, Ealing films.
In his foreword to this special edition, published to celebrate the 20th
anniversary of the BFI Film Classics series, Geoff Brown pays homage to
Penelope Houston's astute study, and places the book in the context of Went the
Day Well?'s changing critical reception. Brown discusses the non-English
qualities of the film's narrative, and the extent to which Cavalcanti brought a
foreign sensibility to its very English setting.
„Über diesen Titel“ kann sich auf eine andere Ausgabe dieses Titels beziehen.
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Zustand: New. 2012. Second Edition, Revised. Paperback. Went the Day Well? is one of the most unusual Ealing Studios pictures, a distinctly unsentimental war film made in the darkest days of WWII. Houston studies why the film avoids the cosy Ealing trademark. This Film Classics 20th anniversary edition comes with a new foreword by Geoff Brown, and a stunning new jacket design by Mark Swan. Series: BFI Film Classics. Num Pages: 72 pages, 34 black & white halftones. BIC Classification: APFG. Category: (G) General (US: Trade). Dimension: 189 x 142 x 6. Weight in Grams: 134. Series: BFI Film Classics. 72 pages, 34 black & white halftones. Went the Day Well? is one of the most unusual Ealing Studios pictures, a distinctly unsentimental war film made in the darkest days of WWII. Houston studies why the film avoids the cosy Ealing trademark. This Film Classics 20th anniversary edition comes with a new foreword by Geoff Brown, and a stunning new jacket design by Mark Swan. Cateogry: (G) General (US: Trade). BIC Classification: APFG. Dimension: 189 x 142 x 6. Weight: 134. . . . . . Books ship from the US and Ireland. Artikel-Nr. V9781844575008
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Paperback. Zustand: Brand New. 2nd revised edition. 72 pages. 7.50x5.25x0.50 inches. In Stock. Artikel-Nr. __1844575004
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Kartoniert / Broschiert. Zustand: New. Went the Day Well? is one of the most unusual Ealing Studios pictures, a distinctly unsentimental war film made in the darkest days of WWII. Houston studies why the film avoids the cosy Ealing trademark. This Film Classics 20th anniversary edition comes wit. Artikel-Nr. 4282069
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Taschenbuch. Zustand: Neu. Neuware - Went the Day Well is one of the most unusual pictures Ealing Studios produced,a distinctly unsentimental war film made in the darkest days of World War II, and nothing like the loveable comedies that later became the Ealing trademark.Its clear-eyed view of the potential for violence lurking just below the surfacein a quiet English village possibly owes something to the Graham Greene storyon which it is based, though, as Penelope Houston shows, there remains amystery about the extent to which Greene was actually involved in the scripting.Or perhaps the direction by the Brazilian born Cavalcanti, a maverick within theEaling coterie, is the chief reason why Went the Day Well avoids the cosy feel oflater, more familiar, Ealing films. In his foreword to this special edition, published to celebrate the 20thanniversary of the BFI Film Classics series, Geoff Brown pays homage toPenelope Houston's astute study, and places the book in the context of Went theDay Well 's changing critical reception. Brown discusses the non-Englishqualities of the film's narrative, and the extent to which Cavalcanti brought aforeign sensibility to its very English setting. Artikel-Nr. 9781844575008
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