Victim (1961) was a landmark in the history both of the cinema and of British society. This modest black-and-white thriller, produced by Michael Relph and directed by Basil Dearden, tackled explicitly the existing law governing homosexual offences, and in doing so eased the path towards partial decriminalisation in 1967. It was also a key moment in the life of its star, Dirk Bogarde, who, despite the risk to his box-office appeal, seized upon the role of a compromised barrister. In doing so, he shed the mantle of matinée idol and soon afterwards embarked on a more fulfilling career in the intellectual cinema.
John Coldstream's intimate study of Victim examines in detail the background to the production, focusing especially on the relationship between the film-makers, the screenwriters and the censor, John Trevelyan, whose participation at the script stage was crucial to its development. Half a century after its original release, one looks in vain to find Victim in the spasmodic surveys dedicated to identifying the greatest films of all time. However, as Coldstream argues, its recognition as a classic is more than justified by the vital contribution it made to gay cultural history and by its status as 'a movie that mattered'.
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JOHN COLDSTREAM is a writer and the former Literary Editor of The Daily Telegraph. He is the author of Dirk Bogarde: The Authorised Biography (2004) and the editor of Ever, Dirk: The Bogarde Letters (2008). He also collaborated with Dirk Bogarde on a collection of the latter's journalism, For the Time Being (1998).
?Victim (1961) was a landmark in the history both of the cinema and of British society. This modest black-and-white thriller, produced by Michael Relph and directed by Basil Dearden, tackled explicitly the existing law governing homosexual offences, and in doing so eased the path towards partial decriminalisation in 1967. It was also a key moment in the life of its star, Dirk Bogarde, who, despite the risk to his box-office appeal, seized upon the role of a compromised barrister. In doing so, he shed the mantle of matinée idol and soon afterwards embarked on a more fulfilling career in the intellectual cinema.
John Coldstream's intimate study of Victim examines in detail the background to the production, focusing especially on the relationship between the film-makers, the screenwriters and the censor, John Trevelyan, whose participation at the script stage was crucial to its development. Half a century after its original release, one looks in vain to find Victim in the spasmodic surveys dedicated to identifying the greatest films of all time. However, as Coldstream argues, its recognition as a classic is more than justified by the vital contribution it made to gay cultural history and by its status as 'a movie that mattered'.
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Zustand: New. Published to mark the 50th anniversary of the film's release, John Coldstream's study of 'Victim' (1961) addresses the film's importance in the campaign to decriminalise homosexuality, the contribution of its stars Dirk Bogarde and Sylvia Syms to its emotional impact, and the risk Bogarde took in taking on the central role. Series: BFI Film Classics. Num Pages: 120 pages, biography. BIC Classification: APF. Category: (G) General (US: Trade). Dimension: 136 x 192 x 10. Weight in Grams: 216. Series: BFI Film Classics. 120 pages, 66 black & white halftones. Published to mark the 50th anniversary of the film's release, John Coldstream's study of 'Victim' (1961) addresses the film's importance in the campaign to decriminalise homosexuality, the contribution of its stars Dirk Bogarde and Sylvia Syms to its emotional impact, and the risk Bogarde took in taking on the central role. Cateogry: (G) General (US: Trade). BIC Classification: APF. Dimension: 136 x 192 x 10. Weight: 216. . 2011. New edition. Paperback. . . . . Books ship from the US and Ireland. Artikel-Nr. V9781844574278
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Kartoniert / Broschiert. Zustand: New. Published to mark the 50th anniversary of the film s release, John Coldstream s study of Victim (1961) addresses the film s importance in the campaign to decriminalise homosexuality, the contribution of its stars Dirk Bogarde and Sylvia Syms to its emotio. Artikel-Nr. 4282059
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Taschenbuch. Zustand: Neu. Neuware - Victim (1961) was a landmark in the history both of the cinema and of British society. This modest black-and-white thriller, produced by Michael Relph and directed by Basil Dearden, tackled explicitly the existing law governing homosexual offences, and in doing so eased the path towards partial decriminalisation in 1967. It was also a key moment in the life of its star, Dirk Bogarde, who, despite the risk to his box-office appeal, seized upon the role of a compromised barrister. In doing so, he shed the mantle of matinée idol and soon afterwards embarked on a more fulfilling career in the intellectual cinema.John Coldstream's intimate study of Victim examines in detail the background to the production, focusing especially on the relationship between the film-makers, the screenwriters and the censor, John Trevelyan, whose participation at the script stage was crucial to its development. Half a century after its original release, one looks in vain to find Victim in the spasmodic surveys dedicated to identifying the greatest films of all time. However, as Coldstream argues, its recognition as a classic is more than justified by the vital contribution it made to gay cultural history and by its status as 'a movie that mattered'. Artikel-Nr. 9781844574278
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