Andrew Utterson's unique study charts the beginnings of digital cinema, addressing both how filmmakers used new digital technologies and how attitudes and anxieties about the rise of the computer were represented in films such as Lang's Desk Set, Godard's Alphaville, Kubrick's 2001: A Space Odyssey and Crichton's Westworld.
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Andrew Utterson is Senior Lecturer in Film and Digital Media at Canterbury Christ Church University, UK. He is the editor of Technology and Culture (2005) and co-editor of Film Theory (2004).
At once both timely and historically grounded, From IBM to MGM: Cinema at the Dawn of the Digital Age explores the history of cinema's earliest encounters with computers, as film-makers responded to the flurry of digital devices that emerged in the post-war decades. Capturing the fervour and fears, hysteria and hyperbole, technophilia and technophobia of a crucial period of digital revolution, film-makers in a range of contexts sought to respond to the computer as a new technology, one with profound significance for cinema and the wider world.
Whether in films in which computers 'starred' on screen (from Jean-Luc Godard's Alphaville and Stanley Kubrick's 2001: A Space Odyssey to Walter Lang's Desk Set and Michael Crichton's Westworld) or in those produced using this same technology (the films of John Whitney, Stan VanDerBeek and other pioneers), what the cinema of this era shared was a willingness to engage with the computer head-on, exploring and exploiting the essential qualities of new tools as connections were forged between the worlds of cinema and computing.
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Gebunden. Zustand: New. Andrew Utterson s unique study charts the beginnings of digital cinema, addressing both how filmmakers used new digital technologies and how attitudes and anxieties about the rise of the computer were represented in films such as Lang s Desk Set, Godard s A. Artikel-Nr. 597066986
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Zustand: New. Andrew Utterson's unique study charts the beginnings of digital cinema, addressing both how filmmakers used new digital technologies and how attitudes and anxieties about the rise of the computer were represented in films such as Lang's Desk Set, Godard's Alphaville, Kubrick's 2001: A Space Odyssey and Crichton's Westworld. Num Pages: 184 pages, biography. BIC Classification: APFA. Category: (U) Tertiary Education (US: College). Dimension: 234 x 172 x 17. Weight in Grams: 521. . 2011. 2011 ed. hardcover. . . . . Books ship from the US and Ireland. Artikel-Nr. V9781844573240
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