Letters and Diaries of Kathleen Ferrier: Revised and Enlarged Edition - Hardcover

Fifty years on, a voice that still touches the heart. GRAMOPHONE

A vivid self-portrait of a brave, secure woman in love with life and music, whose joie de vivre was palpable and supported both by a notable lack of inflated egoism and a singular sense of humour which rarely faltered, even toward the end. Anyone interested in Kathleen Ferrier's life and art, and the milieu of the Second World War years and their aftermath by which they were embraced, will find this welcome book required reading. It is above all, and despite the final descent, a celebration of living. JOHN TALBOT, BRITISH MUSIC SOCIETY NEWSLETTER

On closing [this book] with a terrible sadness, I'm a fan too... The secret is her voice - the plain-speaking tone of a Lancashire lass who was also an aesthete, a joker and an exemplary friend. These letters...chronicle everything, from whom she knocked around with - Britten, Pears, Barbirolli, Danny Kaye, Rex Harrison - to what she sang and what she greedily ate. FINANCIAL TIMES [Michael Church]

Delightful letters and diaries. DAILY TELEGRAPH [Rupert Christiansen]
Editing and presentation are as fine as anyone could wish and Fifield's introductions to each chapter could not be better written. CLASSIC FM [Best Buy,5 Stars]

Fifty years ago, Kathleen Ferrier, the greatest lyric contralto Britain has ever produced, lost her courageous battle with breast cancer. Her name endures to this day for she struck a chord with a wide-ranging public, in concerts, on records and on the radio, despite a career which lasted barely ten years. Within a decade this former telephone exchange operator was singing on stage at Covent Garden or before royalty at private parties. She must have been fun to know, and from this collection of letters, just over 300 of them gathered from sources in Britain, America, Canada and Holland, as well as 12 years of her personal diaries, what emerges provides a sunny picture in the gloomy landscape of the post World War II days. Her indefinable personality was a mix of extreme modesty and self-determined ambition, and a mischievously blunt sense of earthy Lancastrian humour. The voice remains unique, and no-one before nor since can stand comparison. Neither should they, for, as Peter Pears put it, 'A voice is a person'. Until now Kathleen Ferrier has been a voice, but through the pages of these fascinating letters and diaries we get to the person. CHRISTOPHER FIFIELD is foremost a conductor, but also a writer on music history (Grove, DNB, Viking Opera Guide, Oxford Companion to Music), and the author of two biographies, of Bruch and Hans Richter.