Radio Content in the Digital Age: The Evolution of a Sound Medium - Softcover

 
9781841504230: Radio Content in the Digital Age: The Evolution of a Sound Medium

Inhaltsangabe

The traditional radio medium has seen significant changes in recent years as part of the current global shift toward multimedia content, with both digital and FM making significant use of new technologies, including mobile communications and the Internet. This book focuses on the important role these new technologies play—and will play as radio continues to evolve. This series of essays by top academics in the field examines new options for radio technology as well as a summary of the opportunities and challenges that characterize academic and professional debates around radio today.

Die Inhaltsangabe kann sich auf eine andere Ausgabe dieses Titels beziehen.

Über die Autorin bzw. den Autor

Angeliki Gazi is a visiting lecturer of media psychology at the Cyprus University of Technology and vice chair of the Radio Research Section of the European Communication Research and Education Association. Guy Starkey is professor of radio and journalism at the University of Sunderland and author of several books, including Radio in Context and Radio Journalism. Stanislaw Jedrzejewski is professor of sociology of media and social communication at the John Paul II Catholic University of Lublin.

Auszug. © Genehmigter Nachdruck. Alle Rechte vorbehalten.

Radio Content in the Digital Age

The Evolution of a Sound Medium

By Angeliki Gazi, Guy Starkey, Stanislaw Jedrejewski

Intellect Ltd

Copyright © 2011 Intellect Ltd
All rights reserved.
ISBN: 978-1-84150-423-0

Contents

Acknowledgements,
Introduction: Radio and the Digital Age Angeliki Gazi, Guy Starkey and Stanislaw Jedrejewski,
Part I: Convergence,
Chapter 1: Interactivity on Radio in the Internet Age: A Case Study from France Blandine Schmidt,
Chapter 2: Convergence in Spanish Talk Radio Stations' Websites with the Participative Resources Provided by web 1.0 and 2.0 Jose Luis Requejo Aleman and Susana Herrera Damas,
Chapter 3: Portuguese Internet Radio from 2006 to 2009: Technical Readiness and Openness to Interaction Pedro Portela,
Chapter 4: Radio and web 2.0: Direct Feedback Carmen Penafiel Saiz,
Chapter 5: Radio as the Voice of Community: Locality, Interactivity and Experimentation Maria Papadomanolaki,
Part II: Content,
Chapter 6: Blurring Fiction with Reality: The Strange Case of Amnésia, an Italian 'Mockumentary' Tiziano Bonini,
Chapter 7: Radio and the Web: Analysis of the News Strategies of the Spanish Talk Radio Networks, 2008-9 Elsa Moreno, Maria del Pilar Martinez-Costa and Avelino Amoedo,
Chapter 8: Lost and Challenged Contents: Music Radio Alternatives and Cultural Practices Vesa Kurkela and Heikki Uimonen,
Chapter 9: Music Radio in the Age of Digital Convergence: A Case Study of the Catalan Context Josep Maria Martí, Xavier Ribes, Maria Gutiérrez, Luisa Martínez and Belén Monclús,
Chapter 10: Whatever You Say, Say Nothing: Analysing Topics on Liveline Frank Byrne,
Part III: Community,
Chapter 11: Online Community Radio, an Alternative Model: Analysis of Characteristics, New Formats and Contents Pascal Ricaud,
Chapter 12: New Technologies and the Facilitation of Participation in Community Radio Stations Rosemary Day,
Chapter 13: The Future of Local Radio in the Digital Era: Opportunity or Threat? The Case of Small, Local, Community Radio in the Flemish Community Hilde van den Bulck and Bert Hermans,
Chapter 14: Slovenia and the Origins of its Community Radio Mojca Plansak,
Chapter 15: The Community of Radio Listeners in the Era of the Internet in Africa: New Forms and New Radio Content, the Fan Club Zephyr Lome (Togo) as a Basis for Analysis Etienne L. Damome,
Contributors to this Volume,


CHAPTER 1

Interactivity on Radio in the Internet Age: A Case Study from France

Blandine Schmidt


Interactivity, a ubiquitous phenomenon in contemporary media, is much appreciated by radio professionals. In France, radio is the one traditional medium which invites its audience to participate in the creation of content on air. Far from being a recent phenomenon, interactive radio broadcasting has been an important part of radio programmes on various themes, including many issues concerning society. By empowering the public through direct democratic participation, radio broadcasting often makes claims to freedom of expression on air. However, media making such claims based on interactions with their audiences are often accused of manipulating people's voices in a way that is utilitarian or commercial or both.

Communication can be summarized as the transmission of a message between a transmitter and a receiver. Further research allows us to add detail and complete this basic outline. Norbert Wiener's (1943) notion of feedback in his text titled 'Behavior, purpose and teleology', written with Arturo Rosenblueth and Julian Bigelow, is an important source. They are of the opinion that behavioural analysis can be applied to both machines and living organisms. Wiener (1948) considers cybernetics as the science of 'control and communication of the animal and of the machine'. It was with the appearance of a new type of machine (the 'informative machine') that a theoretical framework was built, involving all the phenomena around mechanisms of information treatment (Meunier 2003). The mathematician Claude E. Shannon completed Wiener's work in The Mathematical Theory of Communication in 1949. A protégé of Wiener, Shannon proposes a conceptual framework to define and characterize notions of information and communication. Nowadays, these theories are used and widened in the social sciences. Therefore, sociology uses the concept of feedback in the field of interpersonal communication. Sociologists show interest in the exchange of messages between two sources of information, taking for granted that every sent message results in another received message in response. Even if feedback seems to be missing, it has to be supposed. Cybernetics opens up new horizons to discuss the qualities and specificities of transmitters and receivers.

The term 'interactivity' was first used in information technology and in the study of relationships between humans and machines. Today its meaning has widened; it has become a plural notion in numerous fields like information and communication sciences. To achieve interactivity, a transaction has to be established and maintained by two actors exchanging elements of equal, active and mutual participation. Interactive radio broadcasting has changed the foundations of the relationship between a medium and its audience. Listeners can break their earlier silence by contributing to a broadcast. This brings about a modification in their status as receivers; they become 'transmitters' themselves.

There are several approaches to interactivity in radio that enable various kinds of listener participation. We must say that these approaches have multiplied over the past few years. Indeed, the creation and the democratization of these new communication technologies (such as the internet or mobile phones) were considered and appropriated by the radio medium, resulting in the development of new means of interaction. In this chapter we will focus on the emergence and the re-enforcement of these new digital ways of communication by the medium of radio using the internet. The main questions we try to answer are, firstly, in terms of the appropriation of communication tools by the public, what does the use of these new technical interactions allow and involve? And secondly, what changes have been brought about by such interactive relationships today? Our work focuses on a common type of interactive radio programme in France: the advice line. Many radio stations claim to support, help and accompany listeners in their private lives. This help, more or less personalized to individual cases, is proposed in several fields: legal, emotional, familial, sexual, consumer-related, etc. Advice lines use different strategies to stimulate interactivity. To get answers to our questions, we will first consider the existing duality in the interactive radio relationship. Then we will talk about the internet tools radio stations provide to their listeners to interact with and participate in the content. Finally, we will describe the results of our field study of comments made by listeners of a French advice line programme.


The duality in radio interactive relationship

Indeed, interactivity in radio is very attractive to radio professionals because it ensures dynamism on air while establishing a relationship of proximity with the listener. This can build up a loyal audience, which can lead to an increase in the number of listeners. Consequently, it is important for a radio station to become more accessible to people. To achieve...

„Über diesen Titel“ kann sich auf eine andere Ausgabe dieses Titels beziehen.