Zu dieser ISBN ist aktuell kein Angebot verfügbar.
Alle Exemplare der Ausgabe mit dieser ISBN anzeigen:Die Inhaltsangabe kann sich auf eine andere Ausgabe dieses Titels beziehen.
‘Alex Ross's incredibly nourishing book will rekindle anyone's fire for music.’ Björk
‘One of the best living writers about rock .’ Steven Poole, Guardian ‘Picks for 2008’
‘A superb and inclusive account by a champion of modern music.’ Sunday Times
'Puts the history back into music and the music back into history. Alex Ross's brave avoidance of musical notation and brilliant use of metaphorical and descriptive language, means that The Rest is Noise grapples with the actual stuff of music as few other books have done. And if you want to hear the sounds themselves, you can always go to his website at www.therestisnoise.com and listen.' TLS
'Print is silent. Which is why the task of writing about music is so difficult. I should therefore probably explain that the noise you now ought to be hearing is the sound of my hands as they stop typing and start applauding this vital, engaging, happily polyphonic book.' Peter Conrad, Observer
‘This is a long book and a slow read: slow not because it is especially difficult, but because it is full of material you really need to savour. It is the superb selection of image and anecdote that makes this book work so well. Best of all are the moments when Ross really strikes you dumb with wonder, moments when the author's passion for the supreme significance of music raises his erudition to a new level. Warm, joyful and unfailingly adroit in his evocation of music in words – Ross, with this book, establishes himself as the supreme champion of modern music. Read this and listen.’ Sunday Times
'Ross will whisk you on to the fast–moving train that was 20th–century music; he will fascinate, challenge and delight you, but above all he will never, ever patronise you.' Stephen Pritchard, Observer Music Monthly
The inspiration behind the South Bank Centre’s year-long festival of 20th century music, Alex Ross’s masterpiece is a sweeping musical history from pre-war Vienna to the Velvet Underground.
The landscape of twentieth-century classical music is a wild one: this was a period in which music fragmented into apparently divergent strands, each influenced by its own composers, performers and musical innovations. In this comprehensive tour, Alex Ross, music critic for the ‘New Yorker’, explores the people and places that shaped musical development: Adams to Zweig, Brahms to Björk, pre-First World War Vienna to ‘Nixon in China’.
Winner of the Guardian First Book Award, this unique portrait of an exceptional era weaves together art, politics and cultural history to show how twentieth-century classical music was both a symptom and a source of immense social change.
„Über diesen Titel“ kann sich auf eine andere Ausgabe dieses Titels beziehen.
Versand:
EUR 5,60
Von Vereinigtes Königreich nach USA
Buchbeschreibung Hardback. Zustand: Good. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine. Artikel-Nr. GOR002073119
Weitere Informationen zu diesem Verkäufer | Verkäufer kontaktieren
Buchbeschreibung Hardback. Zustand: Fair. A readable copy of the book which may include some defects such as highlighting and notes. Cover and pages may be creased and show discolouration. Artikel-Nr. GOR003039331
Weitere Informationen zu diesem Verkäufer | Verkäufer kontaktieren
Buchbeschreibung Zustand: Very Good. 1st edition. Used book that is in excellent condition. May show signs of wear or have minor defects. Artikel-Nr. GRP94436776
Weitere Informationen zu diesem Verkäufer | Verkäufer kontaktieren
Buchbeschreibung Paperback. Zustand: Very Good. A sweeping musical history that goes from the salons of pre-war Vienna to Velvet Underground shows in the sixties. In The Rest is Noise, Alex Ross, music critic of the New Yorker, gives us a riveting tour of the wild landscape of twentieth-century classical music: portraits of individuals, cultures, and nations reveal the predicament of the composer in a noisy, chaotic century. Taking as his starting point a production of Richard Strauss's Salome, conducted by the composer on 16 May 1906 with Puccini, Schoenberg, Berg and Adolf Hitler seated in the stalls, Ross suggests how this evening can be considered the century's musical watershed rather the riotous premiere of Stravinsky's Rite of Spring seven years later. Ross goes on to explore the mythology of modernism, Sibelius and the music of small countries, Kurt Weill, the music of the Third Reich, Britten, Boulez and the post-war avant-garde, and interactions between minimalist composers and rock bands in the sixties and seventies. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Artikel-Nr. GOR001908570
Weitere Informationen zu diesem Verkäufer | Verkäufer kontaktieren
Buchbeschreibung Zustand: Good. Most items will be dispatched the same or the next working day. Artikel-Nr. wbs7036925262
Weitere Informationen zu diesem Verkäufer | Verkäufer kontaktieren
Buchbeschreibung Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1100grams, ISBN:9781841154756. Artikel-Nr. 8680830
Weitere Informationen zu diesem Verkäufer | Verkäufer kontaktieren
Buchbeschreibung Hardcover. Zustand: Very Good. ALL ITEMS ARE DISPATCHED FROM THE UK WITHIN 48 HOURS ( BOOKS ORDERED OVER THE WEEKEND DISPATCHED ON MONDAY) ALL OVERSEAS ORDERS SENT BY TRACKABLE AIR MAIL. IF YOU ARE LOCATED OUTSIDE THE UK PLEASE ASK US FOR A POSTAGE QUOTE FOR MULTI VOLUME SETS BEFORE ORDERING. Artikel-Nr. mon0000934693
Weitere Informationen zu diesem Verkäufer | Verkäufer kontaktieren