An in depth analysis of aesthetic systems and structures developed by several British experimental film and videomakers from the late 1960s to the present day.
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Simon Payne is a video artist whose work has shown in numerous international film festivals, cinemas and art galleries, including Tate Modern, the Serpentine Gallery, The Hermitage, St Petersburg and the London, Edinburgh and Rotterdam Film Festivals. He has written widely on experimental cinema, co-edited the book Kurt Kren: Structural Films (2016) and edited Fields of View: Film, Art and Spectatorship (2020), a posthumous book by A.L. Rees. He is Associate Professor in Film and Media at Anglia Ruskin University, Cambridge, UK.
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Soft cover. Zustand: Fine. An in depth analysis of aesthetic systems and structures developed by several British experimental film and video makers from the late 1960s to the present day. ; Experimental Cinema examines a range of structures, systems and strategies that film and video artists have developed from the late 1960s to the present. viii, 245 pages, ill. (mostly col.) ; 23 cm. Minimal shelf wear to edges, no inscriptions, tight and square binding. Photographs available on request. All books dispatched same or next working day in robust packaging. Artikel-Nr. 018904
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