Studded with five gouache drawings by Louise Bourgeois, this erudite, witty fable by the acclaimed author of Now, Now, Louison (2018) considers the ambiguous figure of the baby Jesus and its representation in the artistic canon.' 'One day in 2007,' recalls Jean Fremon about a visit to artist Louise Bourgeois's studio, 'I discovered an entirely new series of drawings.... silhouettes of women with embryos in their wombs, drawn with a brush full of water and red gouache. These drawings were, for me, the most poignant of her long career.'
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Jean Fremon has been contributing to a trans-genre tendency in contemporary French letters since 1969. The president of the Galerie Lelong by day, and a writer by night, he has published over twenty books in France, including poetry (translated by Lydia Davis et al.), fiction and essays on art. His work has been translated into Spanish, German, Norwegian and Turkish. His poetry has received praise from John Ashbery, Paul Auster and Rosemarie Waldrop.Some of the artists with whom he has worked the most closely include Antoni Tapies, Donald Judd, Jannis Kounellis, Sean Scully, David Hockney and Louise Bourgeois. In 1985, he commissioned Louise Bourgeois's first European exhibition. Thirty years later, he organised her last, which she curated, at the Maison de Balzac in Paris. Now, Now, Louison, Fremon's first book published in the UK, was praised by Siri Hustvedt, and is published in the US by New Directions.
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