The reception of art and performance is changing. Smartphones and social media have troubled the old model of individual appreciation and close looking, giving rise to new forms of mediated perception, such as sampling, skimming and scrolling. Charting recent trends in contemporary practice — research-based installations, performance exhibitions, interventions, and invocations of modernist architecture — leading art critic Claire Bishop challenges the assumption that fully focused attention is automatically good and distraction necessarily bad.
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Claire Bishop is a Professor in the PhD Program in Art History at the Graduate Center, City University of New York. Her books include Installation Art: A Critical History and the award winning, Artificial Hells: Participatory Art and the Politics of Spectatorship.
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Taschenbuch. Zustand: Neu. Neuware -The reception of art and performance is changing. Smartphones and social media have troubled the old model of individual appreciation and close looking, giving rise to new forms of mediated perception, such as sampling, skimming and scrolling. Charting recent trends in contemporary practice research-based installations, performance exhibitions, interventions, and invocations of modernist architecture leading art critic Claire Bishop challenges the assumption that fully focused attention is automatically good and distraction necessarily bad.Libri GmbH, Europaallee 1, 36244 Bad Hersfeld 272 pp. Englisch. Artikel-Nr. 9781804296738
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Taschenbuch. Zustand: Neu. Neuware - The ways we encounter contemporary art and performance is changing. Installations brim with archival documents. Dances stretch for weeks. Performances last a minute. Exhibitions are spread out over thirty venues. There are endless artworks about mid-century architecture and design. How are we expected to engage with today's diverse practise Is the old model of close-looking still the ideal, or has it given way to browsing, skimming, and sampling Across four essays, art historian and critic Claire Bishop identifies trends in contemporary practice - research-based installations, performance exhibitions, interventions, and invocations of modernist architecture - and their challenges to traditional modes of attention. Charting a critical path through the last three decades, Bishop pinpoints how spectatorship and visual literacy are evolving under the pressures of digital technology. Artikel-Nr. 9781804296738
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Taschenbuch. Zustand: Neu. Disordered Attention | How We Look at Art and Performance Today | Claire Bishop | Taschenbuch | Englisch | 2025 | Verso Books | EAN 9781804296738 | Verantwortliche Person für die EU: LOGOS EUROPE, 9 Rue Nicholas Poussin, 17000 LA ROCHELLE, FRANKREICH, contact[at]logoseurope[dot]eu | Anbieter: preigu. Artikel-Nr. 134216305
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Taschenbuch. Zustand: Neu. Neuware -The reception of art and performance is changing. Smartphones and social media have troubled the old model of individual appreciation and close looking, giving rise to new forms of mediated perception, such as sampling, skimming and scrolling. Charting recent trends in contemporary practice research-based installations, performance exhibitions, interventions, and invocations of modernist architecture leading art critic Claire Bishop challenges the assumption that fully focused attention is automatically good and distraction necessarily bad. 272 pp. Englisch. Artikel-Nr. 9781804296738
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