After a less than restful night spent in the Tinker camp, Emilie finally enters the estate she's inherited. There, she soon meets the residents – half caretakers, half parasites, and all extremely strange. Through conversations with members of that eclectic group, and her own explorations, the young woman begins to discover the surprising history of her ancestor, Hatcliff, and the estate that bears his name – along with the apparently very real magic that permeates the place.
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Even before starting her career as an illustrator, Florence Magnin's head was always full of fairy tales and fantastic stories. She drew book covers, card decks, roleplaying games, board games … Her universe of ghosts, sprites and unicorns lives side by side with a sort of oneiric science-fiction. In 1990 she went into comics, creating with Rodolphe L'autre Monde and Black Mary (translated by Cinebook), before venturing into solo work with Emilie's Inheritance.
After a less than restful night spent in the Tinker camp, Emilie finally enters the estate she's inherited. There, she soon meets the residents - half caretakers, half parasites, and all extremely strange. Through conversations with members of that eclectic group, and her own explorations, the young woman begins to discover the surprising history of her ancestor, Hatcliff, and the estate that bears his name - along with the apparently very real magic that permeates the place.
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