Diversity of disciplines and author team (senior and junior; gender; national perspective). Range of iconic case studies: Bruckner and Wagner through to the Beatles and Kraftwerk. Represents the cream of upcoming scholars alongside more established scholarly voices. Revisits and rethinks the ideas of a canonical text in the cultural history of music (Applegate and Potter, eds, Music and German National Identity, 2000). An introduction which makes connections between the volume and central ethical questions animating the humanities more widely.
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Thomas Irvine is Associate Professor of Music at the University of Southampton. He has published widely in leading musicology journals in English and German. His book Listening to China: Sound and the Sino-Western Encounter, 1770-1839 is published by University of Chicago Press.
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Zustand: New. Why is Germany imagined as the `land of music ? How has that image been made over time? Exploring examples that range from Bruckner to the Beatles, from classical song to sex-club dance music, a team of historians and musicologists explores these perennial . Artikel-Nr. 448330047
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