For many centuries, Germany has enjoyed a reputation as the 'land of music'. But just how was this reputation established and transformed over time, and to what extent was it produced within or outside of Germany? Through case studies that range from Bruckner to the Beatles and from symphonies to dance-club music, this volume looks at how German musicians and their audiences responded to the most significant developments of the twentieth century, including mass media, technological advances, fascism, and war on an unprecedented scale.
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Thomas Irvine is Associate Professor of Music at the University of Southampton. He has published widely in leading musicology journals in English and German. His book Listening to China: Sound and the Sino-Western Encounter, 1770-1839 is published by University of Chicago Press.
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Zustand: New. Why is Germany imagined as the `land of music ? How has that image been made over time? Exploring examples that range from Bruckner to the Beatles, from classical song to sex-club dance music, a team of historians and musicologists explores these perennial . Artikel-Nr. 448330047
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