It draws together cognitive film theory and avant-garde film theory. It is written in an intentionally accessible way. Particular films are analysed which haven’t been explored elsewhere. It also features (I think) the most detailed analysis of Robert Breer’s aesthetic to date. Themes that have been mentioned in passing in texts on experimental film (such as narrative, memory, visual perception and synaesthesia) are addressed directly in detail.
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Paul Taberham is Senior Lecturer in Animation Studies at the Arts University Bournemouth. He is the coeditor of Cognitive Media Theory (2014) and The New Experimental Animation: From Analogue to Digital (2018). Paul has appeared on radio, spoken internationally at conferences, and published articles for several edited collections and journals including Projections: The Journal for Movies and Mind and Animation Journal. He is a fellow of The Society for Cognitive Studies of the Moving Image.
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