Destruction Rites reveals how the great destructive acts of the postwar era were transformed into constructive acts, both in the public sphere and the art museum.
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Mona Hadler is Professor of Art History at Brooklyn College and the Graduate Center of the City University of New York (CUNY), USA. She writes on postwar art and visual culture. She has published on artists such as Lee Bontecou, William Baziotes and David Hare; and on jazz in the visual arts, Pontiac hood ornaments and demolition derbies. The latter inspired her book, Destruction Rites: Ephemerality and Demolition in Postwar Visual Culture (2017).
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