Before the foundation of academies of art in London in 1768 and Philadelphia in 1805, most individuals who were to emerge as artists trained in workshops of varying degrees of relevance. Easel painters began their careers apprenticed to carriage, house, sign or ship painters, whilst a few were placed with those who made pictures. Sculptors emerged from a training as ornamental plasterers or carvers. Of the many other trades in a position to offer an appropriate background were ‘limning’, staining, engraving, surveying, chasing and die-sinking. In addition, plumbers gained the right to use oil painting and, for plasterers, the application of distemper was an extension of their trade. Central to the theme of this book is the notion that, for those who were to become either painters or sculptors, a training in a trade met their practical needs. This ‘training’ was of an altogether different nature to an ‘education’ in an art school. In the past, prospective artists were offered, by means of apprenticeships, an empirical rather than a theoretical understanding of their ultimate vocation.
James Ayres provides a lively account of the inter-relationship between art and trade in the late 17th to early 19th centuries, in both Britain and North America. He demonstrates with numerous, illustrated examples, the many cross-overs in the ‘art and mystery’ of artistic training, and, to modern eyes, the sometimes incongruous relationships between the various trades that contributed to the blossoming of many artistic careers, including some of the most illustrious names of the ‘long’ 18th century.
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As the third generation of his family to have been actively engaged in the visual arts, James Ayres was, in effect, apprenticed from childhood to work in paint, plaster wood and stone. Following graduation from Goldsmiths College, London University and the Royal Academy Schools, a fellowship in the US introduced him to the arts of British North America.
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hardcover. Zustand: Very Good. Art, Artisans and Apprentices: Apprentice Painters & Sculptors in the Early Modern British Tradition This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. . Artikel-Nr. 7719-9781782977421
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Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. Oxford and Philadelphia. Oxbow Books. 2014. Printed at the same time in the US and UK. No later dates shown. Hard Cover. Medium 8vo 9½" x 6 [24cm x 15cm] approx. 456 pp and detailed appendices. Heavy cloth olive green boards with gilt titles to the spine. The book is square and tight. No previous ownership inscriptions. The boards are clean and unfaded, the corners and spine ends sharp. The pages and closed page edges are clean. No remainder marks. High quality publication on heavy white stock and profusely illustrated in colour throughout. Colour frontispiece. The dust jacket is crisp and complete. The colours are bright, fresh and unfaded, corners are sharp; spine head has a mild crease which is minimal no other wear. James Ayres provides a lively account of the inter-relationship between art and trade in the late 17th to early 19th centuries, in both Britain and North America. He demonstrates with numerous, illustrated examples, the many cross-overs in the'art and mystery' of artistic training, and, to modern eyes, the sometimes incongruous relationships between the various trades that contributed to the blossoming of many artistic careers, including some of the most illustrious names of the 'long' 18th century. Central to the theme of this book is the notion that, for those who were to become either painters or sculptors, a training in a trade met their practical needs. This 'training' was of an altogether different nature to an 'education' in an art school. In the past, prospective artists were offered, by means of apprenticeships, an empirical rather than a theoretical understanding of their ultimate vocation. The dust jacket will be protected with a new inert archival Brodart sleeve which is removable. Please contact us if you would like any more information or additional images. Postage price quoted outside the UK is for a book up to 1kg using UPS or Transglobal Express. For books sent within the UK, there will be no extra charge for books up to 2kg which are sent by Royal Mail. Postage quoted in the UK is the actual cost (£3.45). All books are sent in protective packing and custom book box. If your book is intended as a gift, please let us know and we will gift wrap it free of charge with a card and any message. Artikel-Nr. 25APR08003
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