"This is a major book that changes the field. It is a brilliant and original work of superb historical research and profoundly affecting cultural analysis." · Griselda Pollock, University of Leeds
"The authors' analyses are meticulous and fascinating, and are invariably based on equally impressive research. It is unusual to be able to say that an academic monograph on Holocaust literature serves as not just an analysis of but also a memorial for its subject, but that is the case here." · Sue Vice, University of Sheffield
In 1944, members of the Sonderkommando-the "special squads," composed almost exclusively of Jewish prisoners, who ensured the smooth operation of the gas chambers and had firsthand knowledge of the extermination process-buried on the grounds of Auschwitz-Birkenau a series of remarkable eyewitness accounts of Nazi genocide. This careful and penetrating study examines anew these "Scrolls of Auschwitz," which were gradually recovered, in damaged and fragmentary form, in the years following the camp's liberation. It painstakingly reconstructs their historical context and textual content, revealing complex literary works that resist narrow moral judgment and engage difficult questions about the limits of testimony.
Nicholas Chare is Associate Professor of Art History at the Université de Montréal. He is the author of Auschwitz and Afterimages: Abjection, Witnessing and Representation and After Francis Bacon: Synaesthesia and Sex in Paint, and the co-editor, with Dominic Williams, of Representing Auschwitz: At the Margins of Testimony.
Dominic Williams teaches at Liverpool John Moores University. He has published articles on modernism, the First World War, contemporary poetry and the Holocaust. In addition to co-editing Representing Auschwitz, he has co-edited, with Fabio A. Durão, Modernist Group Dynamics: The Politics and Poetics of Friendship.
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Nicholas Chare is Associate Professor of Art History at the Université de Montréal. He is the author of Auschwitz and Afterimages: Abjection, Witnessing and Representation and After Francis Bacon: Synaesthesia and Sex in Paint, and the co-editor, with Dominic Williams, of Representing Auschwitz: At the Margins of Testimony.
Dominic Williams is a Montague Burton Fellow in Jewish Studies at the University of Leeds. He has published articles on modernism, the First World War, contemporary poetry and the Holocaust. In addition to co-editing Representing Auschwitz, he has co-edited, with Fabio A. Durão, Modernist Group Dynamics: The Politics and Poetics of Friendship.
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Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. In 1944, a number of Sonderkommando-"special squads" of Jewish prisoners who kept the gas chambers running smoothly-buried on the grounds of Auschwitz a series of remarkable eyewitness accounts. This study reconstructs their history and textual content, revealing literary works that raise troubling questions about the nature of testimony. Num Pages: 276 pages, 12 illustrations. BIC Classification: 1D; 3JJH; HBJD; HBLW; HBTZ1. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 229 x 152. . . 2015. Hardcover. . . . . Books ship from the US and Ireland. Artikel-Nr. V9781782389989
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Hardcover. Zustand: Brand New. 276 pages. 9.50x6.50x0.75 inches. In Stock. Artikel-Nr. x-1782389989
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