A poetic evocation of the French diplomat’s encounters and experiences, filtered through the one constant in his life?Venice.
Diplomat, writer and poet, traveller and socialite, friend of Proust, Giraudoux and Malraux, Paul Morand was out of the most original writers of the twentieth century. He was French literature's globe-trotter, and his delightful autobiography is far from being yet another account of a writer's life. Instead it is a poetic evocation of certain scenes among Morand's rich and varied encounters and experience, filtered through the one constant in his life?the one place to which he would always return?Venice.
Admired both by Ezra Pound and by Marcel Proust as a pioneer craftsman of Modernist French prose (...) The sheer shapeliness of his prose recalls Hemingway; the urbanity of his self-destructiveness compares with Fitzgerald's; and his camera eye is as lucidly stroboscopic as that of Dos Passos. He is, like Victor Segalen, Blaise Cendrars, Valery Larbaud, and Saint-John Perse, one of the great nomads of 20th-century French literature, racing through the apocalypse with the haste and glamor of an Orient Express. It is a pity we should have had to wait this long to catch up with him. --The New York TimesDie Inhaltsangabe kann sich auf eine andere Ausgabe dieses Titels beziehen.
Robert Merle (1908-2004) was born in French Algeria, before moving to mainland France in 1918. Originally an English teacher, Merle served as an interpreter with British Expeditionary Force during the Second World War, and was captured by the German army at Dunkirk, the experience of which served as the basis for his Goncourt-prize-winning Weekend at Zuydocoote. He published the 13 volumes of his hugely popular Fortunes of France series over four decades, from 1977 to 2003, the final volume appearing just a year before his death of a heart attack in 2004.
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