Les Veuves créoles, comédie (34) (Mhra Critical Texts) - Softcover

Críticas

• ‘In compiling this edition, Prest aims to reveal how the play could be ‘of considerable interest today in the context of renewed and ongoing research into the story of French colonialism and, increasingly, in colonial and créole drama’ (p. 5). This edition of Les Veuves créoles is a concise and riveting introduction to these research areas, and would in addition provide an ideal teaching tool.’ — Vanessa Lee, Bulletin of Francophone Postcolonial Studies 8.2, Autumn 2017, 26-27

Reseña del editor

Les Veuves créoles is the first play known to have been composed in Martinique. This three-act prose comedy was published anonymously in Paris in 1768 and was performed at least twice in the capital of Caribbean theatre, Saint-Domingue (now Haiti) during the colonial period.  Set in colonial Martinique in the port town of Saint-Pierre, Les Veuves créoles represents an early example of créole francophone drama.  Three créole widows are courted by the grasping and dishonest Fatincourt who, after six years on the island, is keen to marry in order to repay his debts and return to France.  The two older widows run successful businesses – a fact that, for Fatincourt, renders them eligible despite their advanced years.  The third widow is younger but is portrayed as foolish for believing herself superior to other créoles thanks to a short visit she has made to France.  The older widows eventually unite in order to thwart Fatincourt, and it is metropolitan France that emerges as the principal source of wrong-doing in this lively play.  Contemporary reviewers in the Parisian press were uncertain how to respond to the play’s créole slant, but acknowledged its comic and theatrical merits.  It is hoped that both elements will be of interest today.