An anthology of the MAKE magazine archive
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Maria Walsh is Reader in Artists' Moving Image at Chelsea College of Arts, University
of the Arts London, UK. Her research on artists' moving image and critical theory has been published in the peer-reviewed journals Rhizomes, Angelaki, Screen, Refractory, film-philosophy, NECSUS and MIRAJ.
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Paperback. Zustand: Very Good. Twenty Years of MAKE Magazine (International Library of Modern and Contemporary Art) This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. Artikel-Nr. 7719-9781780767581
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Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,600grams, ISBN:9781780767581. Artikel-Nr. 5569898
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Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. Editor(s): Walsh, Maria; Throp, Mo. Series: International Library of Modern and Contemporary Art. Num Pages: 256 pages. BIC Classification: AC; JFSJ1. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 246 x 172 x 26. Weight in Grams: 520. . 2015. Paperback. . . . . Books ship from the US and Ireland. Artikel-Nr. V9781780767581
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Anbieter: moluna, Greven, Deutschland
Zustand: New. InhaltsverzeichnisCONTENTS:FOREWORD - Althea GreenanLIST OF ILLUSTRATIONS - tbcEDITOR S INTRODUCTION SECTION 1: Sexuality & the BodyCONTENTS:FOREWORD - Althea GreenanLIST OF ILLUSTRATIONS - tbc. Artikel-Nr. 43227621
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Taschenbuch. Zustand: Neu. Neuware - During the 1970s, adding 'women's' to 'art' was a powerfully political act. Fuelled by the momentum of the women's liberation movement, artists, art historians, critics and curators began to explore the women's art practice, as distinct from men's, and to challenge its invisibility in the established art world and historical canon. In the 1980s, they continued to creatively critique representations of female sexuality, and in the 1990s, some began to embrace the 'post-feminist' idea of difference and the performance of gender. Throughout this pivotal period, the MAKE magazine offered a unique platform for academics, artists and arts professionals to critically engage with women's art. Though the need to talk about 'women's art' seemed to lose some of its political urgency in the early 2000s, many artists, art historians and art students are now once again explicitly engaging with feminist art histories and art practices as possible models and precedents for resistance. Now is the time to revisit the past, in order to understand and galvanise the energy of the present.Gathering together the work of eminent writers such as Griselda Pollock and Marina Warner, on celebrated artists such as Helen Chadwick, Sarah Lucas and The Guerrilla Girls, this unparalleled anthology of material from the MAKE archive allows us to trace the lineages and links between then and now. Artikel-Nr. 9781780767581
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