By the time we die, we will have spent an estimated one and a half years just watching TV commercials. Advertising is an established and ever-present force and yet, as we move into the new century, just how it works continues to be something of a mystery. In this 3rd international edition of Advertising and the Mind of the Consumer, renowned market researcher and psychologist Max Sutherland reveals the secrets of successful campaigns over a wide range of media, including the web and new media. Using many well-known international ads as examples, this book takes us into the mind of the consumer to explain how advertising messages work - or misfire - and why. Advertising and the Mind of the Consumer is not just a 'how to' book of tricks for advertisers, it is a book for everyone who wants to know how advertising works and why it influences us-for people in business with products and services to sell, for advertising agents, marketers, as well as for students of advertising and consumer behaviour.
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Dr Max Sutherland is an author, columnist and marketing psychologist who works as an independent consultant in Australia and USA. An expert in the psychology of communication, his monthly column is posted on the web at www.sutherlandsurvey.com. He is Adjunct Professor of Marketing at Bond University and Honorary Principal Research Fellow at Wollongong University. The highly successful company he co-founded specialized in tracking the effects of advertising communication for many of the leading global advertisers including Gillette, Merck, Kodak, McDonalds, Miller, Qantas, Nestle and Pfizer. He has published numerous papers in American, European and Australasian journals and serves on the Editorial Board of the International Journal of Brand Management and the International Journal of Advertising.
Figures and tables,
Acknowledgments,
About the author,
PART A WHY ADVERTISING HAS REMAINED A MYSTERY FOR SO LONG,
Introduction,
1 Influencing people: myths and mechanisms,
2 Image and reality: seeing things in different ways,
3 Subliminal advertising: the biggest myth of all,
4 Conformity: the popular thing to do,
5 The advertising message: oblique and indirect,
6 'Under the radar': paid product placement,
7 Silent symbols and badges of identity,
8 Vicarious experience and virtual reality,
9 Messages, reminders and rewards: how ads speak to us,
10 What's this I'm watching? The elements that make up an ad,
11 'Behavioural targeting': consumers in the crosshairs,
12 The limits of advertising,
PART B WHAT WORKS, WHAT DOESN'T, AND WHY,
Introduction,
13 Continuous tracking: are you being followed?,
14 New product launches: don't pull the plug too early,
15 Planning campaign strategy around consumers' mental filing cabinets,
16 What happens when you stop advertising?,
17 The effectiveness of funny ads: what a laugh!,
18 Learning to use shorter-length TV commercials,
19 Seasonal advertising,
20 Underweight advertising: execution anorexia,
21 Why radio ads aren't recalled,
22 Maximizing ad effectiveness: develop a unique and consistent style,
23 Sequels,
24 Corporate tracking of image and issues,
25 The web: advertising in a new age,
26 'Mental reach': they see your ad but does it get through?,
27 Measurement of advertising effects in memory,
28 The buy-ology of mind,
29 Conclusion,
Appendix: How to prompt ad awareness,
Notes,
Index,
INFLUENCING PEOPLE: MYTHS AND MECHANISMS
• Why do people buy bottled water that is available free from the tap?
• Why does advertising work on everybody else but not on us?
• Why do advertisers keep repeating an ad that we have already seen?
All these questions reflect the general belief that advertising works by persuading us, yet we don't feel personally that we are at all persuaded by it.
Why is it so difficult for us to introspect on advertising and how it influences us? Because we look for major effects, that's why! Too often, we look for the ability of a single ad to persuade us rather than for more subtle, minor effects. Big and immediate effects of advertising do occur when the advertiser has something new to say. Then it is easy for us to introspect on its effect.
But most effects of advertising fall well short of persuasion. These minor effects are not obvious but they are more characteristic of the way advertising works. To understand advertising we have to understand and measure these effects. When our kids are growing up we don't notice their physical growth each day but from time to time we become aware that they have grown. Determining how much a child has grown in the last 24 hours is like evaluating the effect of being exposed to a single commercial. In both cases, the changes are too small for us to notice. But even small effects of advertising can influence which brand we choose, especially when all other factors are equal and when alternative brands are much the same.
Weighing the alternatives: evaluation
It is easiest to understand this with low-involvement buying situations. The situation is like a 'beam balance' in which each brand weighs the same. With one brand on each side, the scale is balanced. However, it takes only a feather added to one side of the balance to tip us in favor of the brand on that side. The brands consumers have to choose from are often very similar. Which one will the buying balance tip towards? When we look for advertising effects we are looking for feathers rather than heavy weights.
The buying of cars, appliances, vacations and other high-priced items are examples of high-involvement decision-making. This high level of involvement contrasts with the low level brought to bear on the purchase of products like shampoo or soft drink or margarine. For most of us, the buying of these smaller items is no big deal. We have better things to do with our time than agonize over which brand to choose every time we buy something.
The fact is that in many low-involvement product categories, the alternative brands are extremely similar and in some cases almost identical. Most consumers don't really care which one they buy and could substitute easily if their brand ceased to exist. It is in these low-involvement categories that the effects of advertising can be greatest and yet hardest to introspect upon.
Even with high-involvement products the beam balance analogy is relevant because very different alternatives can have equal weight. We often have to weigh up complex things like 'average quality at a moderate price' against 'premium quality at a higher price'. Often we find ourselves in a state of indecision between the alternatives. When the choices weigh equally in our mind, whether they be low-involvement products or high-involvement products, it can take just a feather to swing that balance.
With high-involvement decisions we are more concerned about the outcome of the weighing-up process, so we think more about how much weight to give to each feature (quality, size or power). How many extra dollars is it worth paying for a feature? Automotive writers for example can reach very different opinions. The more complex a product's features the more complex this assessment because there are usually both positive and negative perspectives. For example, a compact car is positive in regard to both fuel economy and maneuverability but negative in regard to leg room and comfort.
So which way should we see it? What weight should we give to a particular feature in our minds? When advertising emphasizes points that favor a brand, it doesn't have to persuade us — merely raise our awareness of the positive perspectives. Chances are we will notice confirmatory evidence more easily as a result. When we subsequently read a newspaper or consumer report or talk with friends, research shows that we are prone to interpret such information slightly more favorably. This effect is a long way from heavyweight persuasion. Rather it is a gentle, mental biasing of our subsequent perceptions, and we will see in Chapter 2 how perspective can influence our interpretation. It is not so much persuasion as a shifting of the mental spotlight ... playing the focal beam of attention on one perspective rather than another.
Repetition
As with the amount by which our kids grow in a day, we are just not aware of the small differences advertising can make. Even though these imperceptibly small changes in time add up to significant effects, individual increments are too small for us to notice. They are just below what is known as the just noticeable difference (JND).
Through the process of repetition these small increments can produce major perceived differences between brands, but we are rarely aware of the process taking place.
The cumulative effects of changes in brand image become starkly noticeable only in rare cases: for instance, when we return home after a long absence and find that an old brand is now...
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