Emily Austin, the bestselling “queen of darkly quirky, endearingly flawed heroines” (Sarah Haywood, author of The Cactus), returns with a luminous new novel following a librarian who comes back to work after a mental breakdown only to confront book-banning crusaders in an empowering story of grief, love, and the power of libraries.
Darcy’s life turned out better than she could have ever imagined. She is a librarian at the local branch, while her wife Joy runs a book binding service. Between the two of them, there is no more room on their shelves with their ample book collections, various knickknacks and bobbles, and dried bouquets. Rounding out their ideal life is two cats and a sun-soaked house by the lake.
But when Darcy receives the news that her ex-boyfriend, Ben, has passed away, she spirals into a pit of guilt and regret, resulting in a mental breakdown and medical leave from the library. When she returns to work, she is met by unrest in her community and protests surrounding intellectual freedom, resulting in a call for book bans and a second look at the branch’s upcoming DEI programs.
Through the support of her community, colleagues, and the personal growth that results from examining her previous relationships, Darcy comes into her own agency and the truest version of herself. Is This a Cry for Help? not only offers a moving portrait of queer life after coming of age but also powerfully explores questions about sexuality, community, and the importance of libraries.
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Emily Austin is the author of We Could Be Rats, Everyone in This Room Will Someday Be Dead, Interesting Facts About Space, and the poetry collection Gay Girl Prayers. She was born in Ontario, Canada, and received two writing grants from the Canadian Council for the Arts. She studied English literature and library science at Western University. She currently lives in Ottawa, in the territory of the Anishinaabe Algonquin Nation.
Chapter One CHAPTER ONE
A patron is watching porn out loud. My job at the library requires I walk behind him to verify what kind of porn it is, and if it involves anything illegal, I get to call 911. If it doesn’t, I’m not supposed to do any-thing.
I walk behind him discreetly. While pretending to adjust a book display about earthworms, I see the film stars three women who appear to be of consenting age. It’s titled Vintage Lesbian Cuckhold, which I find curious. A cuckhold is the husband of an adulterous wife; however, this film has no men cast, and it appears to have been taped on film stock from the 1970s. Same-sex marriage wasn’t legalized anywhere at that time, so these women couldn’t possibly be married. Therefore, it’s impossible for this to be a true “cuckhold” film.
I also doubt, based on the performances, that any of the women are actually lesbians. I’m somewhat of a stickler for categorization. It bothers me when material is mislabeled. I care that things are marked and classified properly.
Several people are milling around the computers. A middle-aged woman. An elderly couple. A small pack of goth teens. Rather than speak directly to the man watching porn, I announce to the room, “Please remember to use headphones, or to mute your devices so you don’t disrupt others. If you need headphones, come see me. I’m happy to lend you a pair.”
The man mutes his porn, and I return to the reference desk, satisfied to have fulfilled the demands of my role. I eye the bouquet of yellow tulips my coworkers left by the computer. There’s a note affixed to the vase. It says, WE MISSED YOU, DARCY.
My coworker Patty is manning the circulation desk nearby. She waves at me.
I smile at her. Today is my first day back at work. I was gone for two months because I had a mental breakdown.
A child left a picture book titled A Slug of a Different Color on the floor. I flip through it and see it’s about a slug who was born on a horse farm. He tries to live like the horses. He samples their salt lick, grazes in their pastures, and attempts to whinny and neigh. He dreams about galloping through their trails—feeling branches comb through his coarse mane. Of course, he can’t grow hair, run, or withstand salt or sunshine. He’s a slug. He has no legs, but a moist, soft body that would dehydrate if salt came anywhere near his sensitive skin. It could kill him. He’s also nocturnal, and thrives in humid, cool, dark spaces. Unless there’s a magical element to this story, the slug will never become a horse, and he’ll probably die if he keeps trying—
“Are you aware a pervert is watching adult films over there?”
I look up from the book. The medication I’m taking affects my eyesight, so I have to squint at the hazy woman.
“Are you aware a pervert is watching adult films over there?” she asks again, louder.
“Oh,” I say. “Yes. I am.”
She crosses her arms. “Why hasn’t he been stopped?”
“Because you’re allowed to watch adult films at the library.”
“Excuse me?”
“You’re allowed to watch adult films at the library,” I say again.
This isn’t my first rodeo when it comes to porn consumption here. I know the protocol. In my orientation, I distinctly remember being taught what to do in cases like this. After listening to monotonous employee onboarding about how to operate e-readers and request vacation leave, my ears perked up when the subject of porn was broached. Furthermore, I doubt we’ve ever gone more than one month without someone watching porn here. This is a public library.
“I’d like to speak to someone in charge,” she says.
I rub my eyes. “That’d be me at the moment, but if you’d prefer someone more senior, I can get you a form.”
UNABLE TO ATTEND DUETO MEDICAL ISSUE. SRORY.
I wrote this email two months ago. Prior to taking sick leave, I was in the middle of an interview process for a branch manager position. I sent this poorly written email to decline the invitation for a second interview. I have no recollection of writing it.
I dreaded returning to work today partly because I couldn’t remember if I’d actually declined the interview. I’d convinced myself that I just didn’t show up. My short-term memory is weak due to my recent mental health crisis. My therapist told me emotional overwhelm can make it hard to process and store new information.
I woke up several times last night worrying about this. I kept picturing emails with red flags, titled FOLLOW-UP ON MISSED INTERVIEW, and stern voicemails asking, “Where are you?”
Job applications generally follow a repeatable formula. I have strong pattern recognition, and I’m good at following procedures, so I have the skills to navigate a job interview process successfully. The wrench my mental breakdown threw into my application rattled me—not just because I wanted the job, but also because it disrupted a process that I should have been able to complete. I am dysregulated when I try to follow steps, do what I’m supposed to do, learn the rules, and still manage to mess things up.
I’m relieved to see I sent this email. I wish I remembered I did. I might have slept better. Though it’s bizarre I can’t remember writing it.
I usually have a good memory. I rarely have to look up library policies or procedures. I know the steps to request an interlibrary loan, submit a supply order, or issue a new library card. I remember what I wore on my first day of second grade, cloud formations I saw one Christmas morning, and how the grout peeled around the bathroom tiles in the apartment I had when I was nineteen.
My boyfriend Ben lived there with me. I remember taking a shower the night we moved in. I took my clothes off, turned the tap on, and stood with my hand under the running water. The showerhead made this shrill, screaming sound while I waited for the water to get hot. It splattered on the floor of the bath, and my body involuntarily flinched when ricochets of cold drops pelted my skin. I cranked the tap to the hottest setting, waited several more minutes, but the water never turned hot.
It was like that the whole time we lived there. The water heated to the temperature of an abandoned cup of coffee, right at the point where it could still be stomached, but it was unpleasant. It always felt like someone else had just taken a long shower and drained the contents of the water heater tank.
I like taking showers so hot they turn my skin red. I want to exit the room in a cloud of steam, like a boiled lobster. I want dermatologists to warn me, This is bad for your skin. I’ve read plumbers put apparatuses on faucets to prevent the water from scalding. I think it was set too cautiously in that apartment. In retrospect, it’s strange I tolerated it for so long. These days, I would call someone to fix it. I would even fix it myself.
I used to be someone different. Around age twenty-three, I split in two like a cell. One version of me is frozen at twenty-three. She’s a coy, dependent girl who doesn’t really know herself and doesn’t want to burden anyone. She’s dating Ben. They plan to get married, adopt a goldendoodle, and have a baby. She wears uncomfortable clothing; shirts that cling to her abdomen, jeans she has to suck in to zip up. She speaks in a high pitch, laughs at jokes that aren’t funny, follows rules, and apologizes too much. She endures lukewarm showers.
...
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Anbieter: World of Books (was SecondSale), Montgomery, IL, USA
Hardback. Zustand: Good. Emily Austin, the bestselling ?queen of darkly quirky, endearingly flawed heroines? (Sarah Haywood, author of The Cactus), returns with a luminous new novel following a librarian who comes back to work after a mental breakdown only to confront book-banning crusaders in an empowering story of grief, love, and the power of libraries.Darcy?s life turned out better than she could have ever imagined. She is a librarian at the local branch, while her wife Joy runs a book binding service. Between the two of them, there is no more room on their shelves with their ample book collections, various knickknacks and bobbles, and dried bouquets. Rounding out their ideal life is two cats and a sun-soaked house by the lake. But when Darcy receives the news that her ex-boyfriend, Ben, has passed away, she spirals into a pit of guilt and regret, resulting in a mental breakdown and medical leave from the library. When she returns to work, she is met by unrest in her community and protests surrounding intellectual freedom, resulting in a call for book bans and a second look at the branch?s upcoming DEI programs. Through the support of her community, colleagues, and the personal growth that results from examining her previous relationships, Darcy comes into her own agency and the truest version of herself. Is This a Cry for Help? not only offers a moving portrait of queer life after coming of age but also powerfully explores questions about sexuality, community, and the importance of libraries. Artikel-Nr. 00107797465
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Anbieter: World of Books (was SecondSale), Montgomery, IL, USA
Hardback. Zustand: Very Good. Emily Austin, the bestselling ?queen of darkly quirky, endearingly flawed heroines? (Sarah Haywood, author of The Cactus), returns with a luminous new novel following a librarian who comes back to work after a mental breakdown only to confront book-banning crusaders in an empowering story of grief, love, and the power of libraries.Darcy?s life turned out better than she could have ever imagined. She is a librarian at the local branch, while her wife Joy runs a book binding service. Between the two of them, there is no more room on their shelves with their ample book collections, various knickknacks and bobbles, and dried bouquets. Rounding out their ideal life is two cats and a sun-soaked house by the lake. But when Darcy receives the news that her ex-boyfriend, Ben, has passed away, she spirals into a pit of guilt and regret, resulting in a mental breakdown and medical leave from the library. When she returns to work, she is met by unrest in her community and protests surrounding intellectual freedom, resulting in a call for book bans and a second look at the branch?s upcoming DEI programs. Through the support of her community, colleagues, and the personal growth that results from examining her previous relationships, Darcy comes into her own agency and the truest version of herself. Is This a Cry for Help? not only offers a moving portrait of queer life after coming of age but also powerfully explores questions about sexuality, community, and the importance of libraries. Artikel-Nr. CIN1668200236VG
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