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The Lookback Window: A Novel - Hardcover

Hertz, Kyle Dillon

 
9781668005873: The Lookback Window: A Novel

Inhaltsangabe

New York Times Editors’ Choice
Debutiful Best Book of the Year
One of Crimereads Best Crime Novels of 2023
“Hertz has managed to tell a story of queer healing with all the narrative force of a thriller and the searing fury of an indictment.” —The New York Times Book Review

A fearless debut novel of resilience, transcendence, and the elusive promise of justice.

Growing up in suburban New York, Dylan lived through the unfathomable: three years as a victim of sex trafficking at the hands of Vincent, a troubled young man who promised to marry Dylan when he turned eighteen. Years later—long after a police investigation that went nowhere, and after the statute of limitations for the crimes perpetrated against him have run out—the long shadow of Dylan’s trauma still looms over the fragile life in the city he’s managed to build with his fiancé, Moans, who knows little of Dylan’s past. His continued existence depends upon an all-important mantra: To survive, you live through it, but never look back.

Then a groundbreaking new law—the Child Victims Act—opens a new way foreword: a one-year window during which Dylan can sue his abusers. But for someone who was trafficked as a child, does money represent justice—does his pain have a price? As Dylan is forced to look back at what happened to him and try to make sense of his past, he begins to explore a drug and sex-fueled world of bathhouses, clubs, and strangers’ apartments, only to emerge, barely alive, with a new clarity of purpose: a righteous determination to gaze, unflinching, upon the brutal men whose faces have haunted him for a decade, and to extract justice on his own terms.

“Hertz writes with a powerful blend of publicly experienced scene and deeply private interiority...[he] expertly presents both the rapturous façade of post-closet gay life and the cracks in its hastily constructed foundation,” (Slant). Hertz’s debut is “cathartic and revelatory…[and] a gritty recovery story that packs a punch” (The Bay Area Reporter). It offers a startling glimpse at the unraveling of trauma—and the light that peeks, faintly, and often in surprising ways, from the other side of the window.

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Über die Autorin bzw. den Autor

Kyle Dillon Hertz is the author of The Lookback Window, a New York Times Editors’ Choice. His work can be found in Esquire, Freemans, Time, and more. He received his MFA from NYU and a residency from Yaddo. He teaches at The New School. 

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Chapter 1

CHAPTER 1


I escaped to a resort of extraordinary beauty. This way when the news stories appeared, I’d be in such an otherworldly place I could act like I had only been dreaming. I pitched it as a vacation to Moans, a way to get away before our impending wedding. I showed him the site for The Monarchs, a luxurious oceanfront hotel in Florida, and we booked a room. Before we departed, I took a sedative to ease the journey, and I returned to consciousness outside the wooden gates.

Scores of palm trees concealed a pool, two hot tubs, and dozens of naked men. The owner stood with his hands on his hips and surveyed his territory, telling us that he had planted these trees forty years ago; he hadn’t expected the foliage to grow so wildly, but with coastal life came onslaughts of rain and all that sustenance had shifted the foundations.

“Nothing can prevent the course of nature,” he said, so I took off my clothes and wandered the property until I found a spot in the shade to be alone.

The world felt very far away. No matter how hard I studied the jacaranda petals, I couldn’t shake the feeling that I didn’t completely exist. I placed my feet on the hot stone patio and searched for three red items: the second hand of the hot tub clock, the limp resort flag, the rusty fractured stones lifting from the earth.

Sweat dragged down my chest as I followed a blue hummingbird to a feeder.

“Would you like a bottle of water?” a pool boy asked, watching me lean over the railing into the trees. “You don’t have to drink like the birds.”

We would stay for a week.

We kept to ourselves at first and spent afternoons by the pool, reading and lifting our sunglasses to flick our eyes at certain men’s conversations, or when, despite the casual nudity, a man seemed particularly naked, even if he wore briefs or a cap. Moans belonged to that category. He wore navy trunks.

Piercings, tattoos, the way men walked up the pool steps, reaching for a towel before it was within their grasp: all contributed to a taxonomy. They were uninhibited, curious but ashamed, and some of them introduced themselves as Nudists while touching their chests as a priest might grasp his cross. Among them were men who had been denied what they wanted for half a century, men so old they felt unseen. Some questioned if they could be desired. Others knew. One idiot in his fifties flopped around on a floating pool chair, attempting to use his dick like bait and tackle.

Moans’ thirty-four to my twenty-seven, and I was covered in tattoos and silent—the men even commented on this, like you’re a quiet one, after they’d tried to get the meaning out of certain ink. I offered nothing. Mostly I kept to my novels.

I woke the second afternoon on a lounge chair to a pool boy handing out Popsicles on a silver platter, unwrapping the plastic to tease the guests with a purple tip. What simplicity, what luxury. I asked for a newspaper. There was the story of a man who had just taken his life after what happened to him as a child, his wife crying and screaming on the steps of a courthouse. A quote from a lawyer about the flood of cases to come. That was enough for me.

The third afternoon, I checked the closet and discovered a sampling of adult films above the safe. Skin flicks. Warped DVD cases, the plastic lifting and torn. They were dated, and I loved the anachronism. I held one in the air and said to Moans, “I honestly wouldn’t know how to use this.”

“You grew up with cassettes and VHS.”

“I haven’t used one in years.” I opened the case and held the disc upside down, where my breath caught each scratch along its mirrored surface. We were naked, otherwise I would have wiped it off on my shirt. “Blow on it for luck?”

Moans pulled my wrist to his face and exhaled. He smelled like vodka, and my hair stood on end. I kneeled in front of the DVD player and pressed the Eject button. A tray slid out. I put the DVD in the slot and pushed it inside. The box gently whirred, and the blue screen switched to black. I really hadn’t seen machinery like this in years. Nobody tells you that you will outgrow your own life as you live it. I didn’t know how to say this exactly to Moans, so as I kneeled before him I said, “The world ends in a thousand ways.”

Moans laughed and ran his finger along my chin, as if I were just talking drunk.

I sat on the floral quilt and waited for the show. Moans sat right behind me, his knees grazing my back. The title screen gave us options: Arabian Nights, Treasure Island, Around the World in Eighty Days, Journey to the Center of the Earth. I chose the last one, pressing the sticky remote twice.

“Why that one?” Moans asked.

“I can figure out all the others.”

At first, on the small grainy television, a middle-aged man and a guy around my age receive a secret letter describing the entrance to a remarkable destination. The scene cuts to the boy carrying a torch through the wilderness, excited and terrified, turning to the older man to ask a question.

“I’ve seen enough.”

“You don’t want to know what happens next?”

Moans lay back on the edge of the bed as I turned onto my knees. I couldn’t tell if he followed me or the film, if the cicadas called from outside the room or the jungle, if the laughter surrounded or came from us, or why as he lifted me onto his lap and covered my mouth with his palm the way he fucked me felt as if it had originated from somebody else. Moans fell asleep after he came inside me. The sun went down. For a while, I lay in the crook of his arm, and then, without disturbing him, I used my phone to light a path to the patio outside, a novel in hand, to read.

A guest from the adjacent room had done the same. He eyed me as I sat beside him, turning off the single overhead light in the umbrella. He untied his robe and let the wind blow it open. We whispered for a while with our novels spread-eagle on the glass table between us. The man had come to the coast to reset his mind to work on a play. As he told me this, he ran his fingers down my thigh. Pleasure is the only true escape, he said. I sensed the playwright believed what he was telling me, even though it sounded like the bullshit artists say before they suck your cock.

I stood.

The playwright drew his finger down my navel to the tattoo. “Paradise?”

“Yes,” I said. “Paradise.”

“How was it?”

“You mean how is it?”

He looked at me the same way I looked at him. He wanted to believe me. The night encased us as the ocean breathed on our necks. We could hear the dying parties, and we kissed as a breeze guided my lips to his. I put my fingers in his hair and felt my dick hit the back of his throat. He stayed there, his core contracting, trying to be quiet as he choked and slobbered and worked until he retched. At the sound, a light turned on in the window above him. I watched a man lower his shaved head into a running sink. When he stood, water dripped from him like a melted silver crown. The man opened the window, saying, “I see you’ve met my husband.”

With teary eyes, the playwright said, “We lost our youth.”

“Where’d it go?”

“It was here until you arrived, and now the mosquitos...

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