All her father wanted was for Bella to meet people who might be useful one day, and maybe to surprise him. Dumped on her grandmother for the first six years of her life, unwanted by her father, ignored by her step-mother Elspeth and bullied at a posh English boarding school, Bella finds her own ways of resolving situations. The death of the school bully followed by the death of her critical father all seem justified to Bella's way of thinking. After all, Shakespeare himself advised that all the world's a stage and people just play their parts, and he was well thought of for killing off seventy four of his characters.Bella manipulates events to her advantage by stagecraft, playing a twentieth century starlet, a Jane Austen heroine, a society deb ingenue or by using Julia Roberts's smile as channelled by Meghan Markle. She contrives her own seduction by Joe Mallory, who shows Bella a different side of herself, but it doesn't stop her from getting to know her neighbour in Glasgow, Leo Logan, a talented and selfish society photographer. Then there's Stuart, the son of the family solicitor whose unwelcome attentions annoy Bella, but she strings him along to determine what threat he and his father represent to her family business. Meanwhile her mad great-aunts have reasons of their own to threaten Elspeth and Bella.But just who is the Bad Girl; Bella, her stepmother Elspeth or her mad great-aunts? Using her acting skills and all the snippets of accumulated knowledge about other peoples' weaknesses, Bella vanquishes her enemies in a final showdown which leaves her in control of her family business and her future. Her father would have been very surprised. She certainly surprised herself.
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